Axe
Item number K4.24 from the MOA: University of British Columbia.
Item number K4.24 from the MOA: University of British Columbia.
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Axe composed of a wooden handle covered in copper with a rounded top end and a flaring butt end, a blade with two curves emerging from two small peaks at the centre of the blade and each ending in a serrated edge, and three arms that support the blade. The two outer arms are made of twisted metal, and the centre arm has two low relief faces on each side. The blade is decorated with a line of dots along the inner edge.
Large, elaborately decorated axes are a status symbol for high-ranking men in several communities in central Africa, including the Kuba, Luba, and Songye. Their status is derived from the value placed on ironworking. It was a culturally important practice because of the plentiful iron ore deposits available in the region.
ceremonial
The faces decorating the central arm of the axe blade may have been meant to represent the peoples subjugated or conquered by the wielder. The use of copper on the handle is also a sign of wealth, as copper was rarely accessible until the modern era.
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Axe composed of a wooden handle covered in copper with a rounded top end and a flaring butt end, a blade with two curves emerging from two small peaks at the centre of the blade and each ending in a serrated edge, and three arms that support the blade. The two outer arms are made of twisted metal, and the centre arm has two low relief faces on each side. The blade is decorated with a line of dots along the inner edge.
ceremonial
The faces decorating the central arm of the axe blade may have been meant to represent the peoples subjugated or conquered by the wielder. The use of copper on the handle is also a sign of wealth, as copper was rarely accessible until the modern era.
Large, elaborately decorated axes are a status symbol for high-ranking men in several communities in central Africa, including the Kuba, Luba, and Songye. Their status is derived from the value placed on ironworking. It was a culturally important practice because of the plentiful iron ore deposits available in the region.
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