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This information was automatically generated from data provided by MOA: University of British Columbia. It has been standardized to aid in finding and grouping information within the RRN. Accuracy and meaning should be verified from the Data Source tab.

Description

Carved wooden, crooked beak mask. The beak has large red, protruding oval shaped nostrils outlined with black u-forms. Running from the brow is a large central frill that protrudes outward and curves inward to the centre tip of the beak; detailed with black u-forms and an incised head in profile. The mouth is red, flat and protruding; bottom part of jaw is hinged with rectangular pieces of rubber. The face is black with white detailing. The eyes are black, outlined in white and red on a white, ovoid shaped ground; brow is black. The underside of the beak has another, small carved bird head in black and white. The inside of the mask is hollow with the exception of rectangular wooden handle that is tied to the back of the mask with twisted twine. The beak has twine pieces through the lower beak to articulate the mask. Attached to the top, side and bottom ridge are twisted braids of cedar rope; longer cedar strips hang from the top. The mask is painted black, white and red with Northwest Coast stylized forms.

History Of Use

Worn by Hamats!a dancer.

Cultural Context

ceremonial

Iconographic Meaning

Represents Crooked Beak of Heaven, Galugwadzawe', one of the servants of Baxbakwalanuxsiwe', cannibal at the north end of the world.

Narrative

Thought by some to have been made by Tom Patch Wamiss. (T.D. Johnson, Dec. 12, 1961).

Item History

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