Item Records

This page shows all the information we have about this item. Both the institution that physically holds this item, and RRN members have contributed the knowledge on this page. You’re looking at the item record provided by the holding institution. If you scroll further down the page, you’ll see the information from RRN members, and can share your own knowledge too.

The RRN processes the information it receives from each institution to make it more readable and easier to search. If you’re doing in-depth research on this item, be sure to take a look at the Data Source tab to see the information exactly as it was provided by the institution.

These records are easy to share because each has a unique web address. You can copy and paste the location from your browser’s address bar into an email, word document, or chat message to share this item with others.

  • Data
  • Data Source

This information was automatically generated from data provided by MOA: University of British Columbia. It has been standardized to aid in finding and grouping information within the RRN. Accuracy and meaning should be verified from the Data Source tab.

Description

Head ring made from thin strands of twined cedar bark backed by cloth. Four vertical bands of twined bark are sewn to the outside of the head ring at even intervals. A wide, rectangular piece made from the same twined bark is sewn onto the front of the head ring. Possibly red pigment on bark?

History Of Use

Worn by Hamat’sa initiates. The initiate’s dance is considered by Kwakwaka’wakw people today to be the highest ranked ritual in the T’seka, or Red Cedar-Bark ceremony. It came to the Kwakwaka’wakw historically through marriage and warfare with their northern neighbours, the Wuikinuxv and the Heiltsuk. There are many differences in the way that families who have hereditary rights to this important privilege perform the dance, and in the songs and regalia they use, but common to all is the dramatic interpretation of the initiate’s experience of capture, return, and calming. In the dance of the Hamat’sa, a young person is possessed by the man-eating spirit, Baxbakwalanuksiwe’. Through the four stages of the dance the initiate is gradually returned to a normal, human state with the help of attendants, and through song and ritual. The cedar-bark regalia the initiate wears during this cycle is considered sacred.

Item History

With an account, you can ask other users a question about this item. Request an Account

With an account, you can submit information about this item and have it visible to all users and institutions on the RRN. Request an Account

Similar Items