Item Records

This page shows all the information we have about this item. Both the institution that physically holds this item, and RRN members have contributed the knowledge on this page. You’re looking at the item record provided by the holding institution. If you scroll further down the page, you’ll see the information from RRN members, and can share your own knowledge too.

The RRN processes the information it receives from each institution to make it more readable and easier to search. If you’re doing in-depth research on this item, be sure to take a look at the Data Source tab to see the information exactly as it was provided by the institution.

These records are easy to share because each has a unique web address. You can copy and paste the location from your browser’s address bar into an email, word document, or chat message to share this item with others.

  • Data
  • Data Source

This information was automatically generated from data provided by MOA: University of British Columbia. It has been standardized to aid in finding and grouping information within the RRN. Accuracy and meaning should be verified from the Data Source tab.

Description

Supernatural ground crab puppet. Wooden carved figure depicting a crustacean with four bent legs on each side of the body and two claws on either side of the face. Inside the hollowed-out interior is a spool, which attaches to two spools of string: when pulled, these would allow a person to cause the figure to scuttle along. The figure is painted in brown with black and white details.

History Of Use

These articulated characters are known as dług̱we’ treasures (gamisida długwe'), as are the theatrical dances in which they appear. The Kwakwaka’wakw have a history of puppetry related to their ceremonial feasts. The winter potlatches are known for their spectacular performances, suffused with cultural teachings and supernatural content, such as the coming of Winalagalis, the supernatural warrior. Dances and songs associated with Winalagalis include the tuxw’id, which is performed by women, who have the power and rights to make the dług̱we’ treasures (puppets) come to life. For instance, a tuxw’id dancer could summon a crustacean to life, on invisible cords, in the flickering firelight.

Narrative

This piece was witnessed in a ceremony in Kingcome Inlet c. 1919, according to Dick Hawkins (1966).

Iconographic Meaning

Represents supernatural Ground Crab of the Woods; a treasure: dług̱we’ of a tux'wid dancer (M. Martin, 1952; C. George, 1966).

Item History

With an account, you can ask other users a question about this item. Request an Account

With an account, you can submit information about this item and have it visible to all users and institutions on the RRN. Request an Account

Similar Items