Cannibal Spirit Puppet
Item number 3217/1 a-b from the MOA: University of British Columbia.
Item number 3217/1 a-b from the MOA: University of British Columbia.
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Olala. Large, painted, wooden puppet. The head is removable (part b). Legs (from torso to knees) are painted leather; upper body, arms, feet and head are painted wood. Fur additions at knees, wrists, sides and eyebrows. Long, full hair attachments on the head are tied together at the back (approx. 42 x 18 cm).
According to Margaret Blackman, Thompson started making Haida-inspired puppets in the mid-1980s, based on a piece in the Smithsonian collection, a 19th century headdress representing a corpse (see Bodies of Enchantment, Levell, p. 67.)
Donated by Richard Porter, courtesy of the Lattimer Gallery.
Said to represent the Haida cannibal spirit Olala (Dead Man).
This data has been provided to the RRN by the MOA: University of British Columbia. We've used it to provide the information on the Data tab.
Olala. Large, painted, wooden puppet. The head is removable (part b). Legs (from torso to knees) are painted leather; upper body, arms, feet and head are painted wood. Fur additions at knees, wrists, sides and eyebrows. Long, full hair attachments on the head are tied together at the back (approx. 42 x 18 cm).
According to Margaret Blackman, Thompson started making Haida-inspired puppets in the mid-1980s, based on a piece in the Smithsonian collection, a 19th century headdress representing a corpse (see Bodies of Enchantment, Levell, p. 67.)
Donated by Richard Porter, courtesy of the Lattimer Gallery.
Said to represent the Haida cannibal spirit Olala (Dead Man).
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