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Description

Calungo hand puppet of a 'Padre (priest) Bento' character. Head and hands are carved from wood and painted. He has light pink skin, small black dots for eyes, long nose, and open mouth with thin dark red lips. He has painted short black hair around a mostly bald head. His fabric body / tunic is royal blue with matching royal blue sequined sleeves, and he wears a white collar around his neck. The fabric is adhered(?) to the hands and head. Operated by inserting a hand inside the body of the puppet to control its head and movements.

History Of Use

The puppet represents a character from a form of popular puppet theatre, found in northeastern Brazil, called mamulengo. This type of theatre is prevalent in disenfranchised communities with ancestral ties to colonized Indigenous peoples and uprooted, enslaved Africans. Mamulengo performances are entertaining events that can last all night long, with puppeteers (mamulengueiros) using 70 to 100 puppets in one staging. The stages are pop-up stands (empanadas), made of brightly coloured, floral-printed cloth. The shows consist of short sequences (passagens), or skits from popular stories that expose the inequalities and dramas of everyday life, profiling stock characters such as rich landowners and peasant labourers. The whole is spun together with humour, satire, lively music, and audience commentary.

Item History

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