Hand Puppet
Item number 3381/42 from the MOA: University of British Columbia.
Item number 3381/42 from the MOA: University of British Columbia.
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Hand puppet of a 'Capiroto' (devil) character. He has red skin with long skinny black horns that are tipped with red. He has a pointed chin with small goatee, large nose, circular black eyes, thin black moustache, and an open mouth with white and black teeth and missing teeth. His cheeks, nose and forehead are contoured with black. He wears a shiny black and red tunic with matching shiny black and red cape. One cuff of the tunic is red, and the other black. The fabric covered foam tubes are adhered to the hands. Operated by inserting a hand inside the body of the puppet to control its head and movements.
The puppet represents a character from a form of popular puppet theatre, found in northeastern Brazil, called mamulengo. This type of theatre is prevalent in disenfranchised communities with ancestral ties to colonized Indigenous peoples and uprooted, enslaved Africans. Mamulengo performances are entertaining events that can last all night long, with puppeteers (mamulengueiros) using 70 to 100 puppets in one staging. The stages are pop-up stands (empanadas), made of brightly coloured, floral-printed cloth. The shows consist of short sequences (passagens), or skits from popular stories that expose the inequalities and dramas of everyday life, profiling stock characters such as rich landowners and peasant labourers. The whole is spun together with humour, satire, lively music, and audience commentary.
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Hand puppet of a 'Capiroto' (devil) character. He has red skin with long skinny black horns that are tipped with red. He has a pointed chin with small goatee, large nose, circular black eyes, thin black moustache, and an open mouth with white and black teeth and missing teeth. His cheeks, nose and forehead are contoured with black. He wears a shiny black and red tunic with matching shiny black and red cape. One cuff of the tunic is red, and the other black. The fabric covered foam tubes are adhered to the hands. Operated by inserting a hand inside the body of the puppet to control its head and movements.
The puppet represents a character from a form of popular puppet theatre, found in northeastern Brazil, called mamulengo. This type of theatre is prevalent in disenfranchised communities with ancestral ties to colonized Indigenous peoples and uprooted, enslaved Africans. Mamulengo performances are entertaining events that can last all night long, with puppeteers (mamulengueiros) using 70 to 100 puppets in one staging. The stages are pop-up stands (empanadas), made of brightly coloured, floral-printed cloth. The shows consist of short sequences (passagens), or skits from popular stories that expose the inequalities and dramas of everyday life, profiling stock characters such as rich landowners and peasant labourers. The whole is spun together with humour, satire, lively music, and audience commentary.
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