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This information was automatically generated from data provided by MOA: University of British Columbia. It has been standardized to aid in finding and grouping information within the RRN. Accuracy and meaning should be verified from the Data Source tab.

Description

Miniaturized depiction of a Thunder dancer, standing upright on a rounded base. The dancer is wearing a mask, with a prominent forehead and beak-like nose, and a dance cape, which covers their back. Painted in black, red and yellow.

History Of Use

The Nuxalk "Thunder" being is not a bird, but rather a type of supernatural being. (Nuxalk people are adamant that Thunder beings are not the same as "Thunderbirds”, an important distinction in differentiating Nuxalk beliefs from their neighbours.) Painted scalloping and sawtooth designs are diagnostic of Dick Snow’s artwork, and the design on the back represents the wooden slats that would have attached to the Thunder regalia, for movement while dancing.

Specific Techniques

The black paint was made out of pulverized black stone mixed with salmon eggs, and the burgundy/red pigment was made with pulverized red rocks, salmon eggs, and sometimes mixed with red dye from alder that Snow's wife used to dye cedar bark.

Narrative

Dick Snow’s grandson, Chief Jeffrey Snow (7ANISPUXALS), remembers that his grandfather carved these miniatures for sale, rather than something like masks, to prevent non-Native people from disrespecting the Smayusta (family-owned origin stories) of the objects. Jeffrey Snow, along with Marshall Hans (Komokwa, also Dick Snow’s grandson), remember Dick Snow making his own pigment paints out of mineral rocks that he gathered himself from around the Bella Coola Valley. Dick Snow sold his carvings right from his house in Bella Coola, filling a curio cabinet in his living room with work and turning it to face out the window. Customers would come and buy the work directly from the artist.

Item History

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