Item Records

This page shows all the information we have about this item. Both the institution that physically holds this item, and RRN members have contributed the knowledge on this page. You’re looking at the item record provided by the holding institution. If you scroll further down the page, you’ll see the information from RRN members, and can share your own knowledge too.

The RRN processes the information it receives from each institution to make it more readable and easier to search. If you’re doing in-depth research on this item, be sure to take a look at the Data Source tab to see the information exactly as it was provided by the institution.

These records are easy to share because each has a unique web address. You can copy and paste the location from your browser’s address bar into an email, word document, or chat message to share this item with others.

  • Data
  • Data Source

This information was automatically generated from data provided by MOA: University of British Columbia. It has been standardized to aid in finding and grouping information within the RRN. Accuracy and meaning should be verified from the Data Source tab.

Description

Green tablecloth panels (part a-b) with sequins. The front has a four-petal floral and sun motifs in gold sequins on a green ground. A red character is painted in three of the four petals. The back has floral, butterfly and sun motifs in gold sequins and yellow dye on yellow-green ground. Across the top is a wide green band for suspension. The two panels are the same.

History Of Use

Table covers are used on the Cantonese opera stage to make tables look finished, decorated, and elegant. They may also give the name of their owner. They do not cover the table, but are attached at the top and hang down at the front. Tables are among the few stage fittings that are used in Cantonese opera. Objects such as tea and wine paraphernalia are placed on them, rulers sit behind them, actors lean on them to show that they are sleeping, and they sometimes jump on them in martial scenes. When red they suggest celebration and happy occasions. Pairs of table covers are rare in stage settings.

Specific Techniques

Machine sewn, except for application of sequins.

Cultural Context

theatre

Iconographic Meaning

Green symbolizes calm and peace.

Narrative

A large group of Cantonese opera costumes, musical instruments, props, trunks, and stage fittings was left with the Jin Wah Sing Musical Association, apparently by some of the many itinerant troupes visiting Vancouver to perform in the Chinatown theatres in the pre World War II period. There is no certain knowledge of why these materials were not taken back to China by them. They were used by the Jin Wah Sing Musical Association in their performances until they became too dated. The association continued to preserve them carefully, storing them in their headquarters and in the basement of the Chinese Freemasons building until several groups of materials were sold and donated to the Museum of Anthropology.

Item History

With an account, you can ask other users a question about this item. Request an Account

With an account, you can submit information about this item and have it visible to all users and institutions on the RRN. Request an Account

Similar Items