Cantonese Opera Bag
Item number N1.885 from the MOA: University of British Columbia.
Item number N1.885 from the MOA: University of British Columbia.
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Unbleached cotton bag. Top has cuff with string running through. Characters on side in blue ink. Colour: off-white.
The ritual short play “Eight Fairies Present Birthday Congratulations”, “Baak Sin Hoh Sauh” required special materials. This bag was used to hold a spceial curtain.
machine sewn
theatre
A large group of Cantonese opera costumes, musical instruments, props, trunks, and stage fittings was left with the Jin Wah Sing Musical Association, apparently by some of the many itinerant troupes visiting Vancouver to perform in the Chinatown theatres in the pre World War II period. There is no certain knowledge of why these materials were not taken back to China by them. They were used by the Jin Wah Sing Musical Association in their performances until they became too dated. The association continued to preserve them carefully, storing them in their headquarters and in the basement of the Chinese Freemasons building until several groups of materials were sold and donated to the Museum of Anthropology.
This data has been provided to the RRN by the MOA: University of British Columbia. We've used it to provide the information on the Data tab.
machine sewn
theatre
Unbleached cotton bag. Top has cuff with string running through. Characters on side in blue ink. Colour: off-white.
The ritual short play “Eight Fairies Present Birthday Congratulations”, “Baak Sin Hoh Sauh” required special materials. This bag was used to hold a spceial curtain.
A large group of Cantonese opera costumes, musical instruments, props, trunks, and stage fittings was left with the Jin Wah Sing Musical Association, apparently by some of the many itinerant troupes visiting Vancouver to perform in the Chinatown theatres in the pre World War II period. There is no certain knowledge of why these materials were not taken back to China by them. They were used by the Jin Wah Sing Musical Association in their performances until they became too dated. The association continued to preserve them carefully, storing them in their headquarters and in the basement of the Chinese Freemasons building until several groups of materials were sold and donated to the Museum of Anthropology.
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