Item Records

This page shows all the information we have about this item. Both the institution that physically holds this item, and RRN members have contributed the knowledge on this page. You’re looking at the item record provided by the holding institution. If you scroll further down the page, you’ll see the information from RRN members, and can share your own knowledge too.

The RRN processes the information it receives from each institution to make it more readable and easier to search. If you’re doing in-depth research on this item, be sure to take a look at the Data Source tab to see the information exactly as it was provided by the institution.

These records are easy to share because each has a unique web address. You can copy and paste the location from your browser’s address bar into an email, word document, or chat message to share this item with others.

  • Data
  • Data Source

This information was automatically generated from data provided by MOA: University of British Columbia. It has been standardized to aid in finding and grouping information within the RRN. Accuracy and meaning should be verified from the Data Source tab.

Description

Circular drum (a) with attached drumstick (b). The drum hide is stretched over a circular wooden frame and secured by nails. It still has some fur remaining on one side. On the back, leather thongs with a bone secured in centre form a handgrip. An eagle with raised wings is painted in black, white, ygrey and yellow against an abstract background of blue, red, off-white and black. The drumstick consists of a a spherical head covered in off-white skin, a cylindrical wooden shaft, and a strip of brown leather fastened around the shaft with the ends split into several thinner strips.

Cultural Context

ceremonial

Iconographic Meaning

Hillary Stewart notes that on the Northwest Coast the eagle is "a symbol of power and prestige...Many myths and legends surround the Eagle; eagle down, a symbol of peace and friendship, was, and still is, sprinkled before guests in welcome dances and on other ceremonial occasions (1976:54)."

Specific Techniques

Anthropologist William Elmendorf notes that: "The skin drum was a tambourine with single-skin head of uncured deer hide. During the reservation period horsehide came to be preferred for its louder tone. The single head was stretched across a circular frame of wood, usually a vine maple hoop. The head skin covered the side of the wood frame and was held taught by thong lacings. The frame was thin, one to three feet in diameter, three to four inches deep. It was made of a single piece of wood, bent with the aid of hot water (1960:221)."

Narrative

An old dance drum with an ivory gambling game piece for a handle. The design was repainted for the Indigenous production of "Tzin'kwa" .

Item History

With an account, you can ask other users a question about this item. Request an Account

With an account, you can submit information about this item and have it visible to all users and institutions on the RRN. Request an Account

Similar Items