Pepino mask. Fabric mask with half red and half white face. The tip of the nose is painted red. The lips are pink on the red section of the face and red on the white section. White ears are stapled to the sides of the face. There are three foam triangles at the top of the head in yellow, green and pink. One half of the bottom hem on the front is stitched in black thread and the other half is unfinished.

Pepino mask. Fabric mask in white with a large red heart on each cheek. The tip of the nose and curved lips are painted red. There are red and white diamonds, outlined in black, across the chin. Two white ears are stapled to the sides of the face. There are three foam triangles at the top of the mask in pink, white and green. The hem on the front is done in yellow thread.

Pepino mask. Fabric mask with a half-yellow, half-black face. The nose and curved lips are painted red. There are red, black and yellow diamonds on the chin and a large red heart on each cheek. At the top of the head are three foam triangles in pink, white and yellow. White ears stapled to the sides of the face. The back hem is stitched in white thread, while the front is unstitched.

Small altar with a wood base covered with fibre then a clay-like substance. The side and top walls of the altar are painted red-brown. The front of the object is painted pink with yellow, red, green and white detailing. There is a decorative edge slightly offset from the front of the object that wraps around the side walls and the top of the altar. The undulating lines of the edge are accentuated with yellow and red painted borders. The interior walls of the altar are light brown. There is a light grey and yellow pattern with purple flowers painted over top the light brown. A three-dimensional plastic figure of a man is standing within the altar. The man has a halo and a Franciscan style haircut. He holds a gold dagger in his left hand. He wears a white dress with blue lines underneath a short-sleeved robe. It is pink with a yellow, red, green and gold pattern over top. He stands on a three-part plinth. The top of the plinth is white with blue lines, the lower portion is gold and the bottom portion is green. The back and bottom of the altar are light grey.

Small altar containing a three dimensional depiction of a Saint (Saint Thomas?) sitting in a chair. The exterior of the box is painted light grey. The doors each have two pieces of wire attaching them to the altar. There is a metal latch attached to the left door which fits into a metal ring on the right door. On the interior of each door, there is a flower within an oval yellow border. The flower is light grey with brown detailing and a curved green stem. Above the doors, there is a piece of wood angled at both sides created open mitered corners at the top of the façade. It is painted black along the front edge, grey on top and blue on the underside and sides. The edges of the side walls of the altar are painted red where they border the opening of the altar. The opening is also bordered by an inset piece of wood that is cut into an arch. It is decorated with pieces of clay moulded into abstract shapes; they are painted black and green. There are also red and white painted circles decorating the archway. Around the arch, there is a piece of clay moulded to form a scalloped edge; it is painted black. There is a figure of a man sitting inside the altar. His chair is green. The man has brown hair and pink skin. His body is painted with a brown robe and he wears a light grey robe made of fibre over top. There is a metal hat wide-brimmed hat loose within the altar; its provenience is unknown. There is a number written in red pen and pencil on the back of the object. The bottom of the object is unpainted.

Figures representing the Christian holy trinity. Two saintly dressed male figures are seated on a brown bench, each with a hand resting on the blue ball between them; one holds a cross and the other, with a gold triangle above his head, has a hand raised in benediction. Behind them hovers a dove on a metal post.

Flat textile doll. Embroidery like design in colourful red, blue, green, pink and yellow wools of a woman wearing a long skirt, hat and backpack has been stitched onto a shaped cut-out of loosely woven sacking cloth and sewn onto a backing of identical shape and material.

Flat knitted female doll with numerous Bolivian coins roughly sewn onto the front of her orange striped sweater and pink skirt. The body is an empty knitted tube, open at the back of the neck, with stuffed green legs, arms and head with facial features and long brown braids.

Retablo altar to the Virgin de la Candelaria Copacabana. Altar consists of a rectangular wooden box (a) painted white and red, the front of which has an arched top facade with painted crown and two door panels, that open outwards, painted with a scene of a church (b) and scene of a three crosses (c). Small painted female figure holding a baby stands inside the painted interior, on a blue pedestal, surrounded by a variety of paper flowers, sparkling silver urns, a plastic orb, and cards of religious characters.

Ceremonial chicha (fermented beverage) container. Shallow, flat-bottomed, dark wood bowl shape has two squared knob handles. In the centre of the bowl stand two roughly carved oxen that are harnessed together.