Large stoneware dish. Dish is round, with an everted rim and thick base with foot. The well is painted with an image in blue of a woman holding a chicken. The two look each other in the eye. Surrounding the image are overlapping feather shapes in three encircling rows on the rim. Lip is painted a dark grey. Exterior is undecorated. Signature on bottom of plate.

Large stoneware dish. Dish is round, with a high everted rim and thick base with foot. The well is painted with a blue line drawing of a man and woman standing naked in a wooden bathtub filled with water. Colours are subdued, the water a light blue-green and the wood and hair shaded with yellow. Image is surrounded by encircling lines in dark grey and blue along edge of well and rim, as well as on the exterior. Signature on bottom of plate.

Large quilt with a red and white checker pattern on front, plain on back. On each square are lists of names embroidered in cursive writing. The writing is in red thread on the white squares, and white thread on red squares. The quilting is stitched in horizontal lines across the piece, with the corner of each square done in diagonal lines thereby creating diamond patterns linking four squares.

Wood instand with glass inkwell. Base (part a) is made of a low square of cut wood. Top back is flat, while front is curved concavely. The wood is painted dark brown. A round hole is bored through the centre back to hold the glass container (part b). Inkwell is round, with a thick bottom that flares toward the thick rim at top. A paper label is nailed to the front edge. Label reads: "This Inkstand is made from timber taken from the “S.S. GLAD TIDINGS”, First Methodist Mission Boat on the British Columbia Coast., 1884 - 1903".

Long, thin woven rag rug. The warp is made of a thick, soft rope-like fibre and burlap that terminate at each end in loops. The weft is made of thick wool, woven in regularly spaced lines of red and black, white and black, red and blue, and red and brown. At each end is a wide stripe of red, yellow and tan.

Panel 20 in a series of 20 panels. Drawing of a carved, green, adze handle. At the top of the cylinder is a carved face with deep-set eyes, a small nose and a narrow chin with small open mouth. Long curving horns sit atop the forehead. Below this face is the head of a bird-like creature, with large round eyes, and a beak-like nose. Red carved circles appear across the rest of the cylinder top. Branches of a nearby tree reach around the cylinder to its front. Behind the object is a landscape of fir trees and a heavily clouded sky. The drawing is split between 2 equally sized panels, one sitting on top of the other. Covered with plexi frame.

Panel 19 in a series of 20 panels. Drawing of a Bella Coola echo mask. The mask sits left of centre and is oval in shape, with a flat top and short forehead. Heavy dark brows sit above round yellow and rust coloured eyes. The nose is bright green with brown nostrils. The mouth is light green and grey, with a long upper portion that thins to lips which hang far below the jawline and curve sharply to the left. The background of the drawing shows trees, a distant forest landscape and heavy mist in charcoal and black conte. Covered with plexi frame.

Panel 18 in a series of 20 panels. Monochromatic drawing of a carved animal, shown with its open stomach toward the viewer. The animal's head is tilted up to display the chin, with the mostly toothless mouth open wide. Human-like hands are held in front, from the shoulders. The creature’s stomach has two door panels that are open wide, revealing a human face inside the cavity. The face is male with raised brows, narrow eyes, a large nose and an open, toothless mouth. Below the stomach is a short pointed tail. The background of the drawing shows a tight mass of foliage. Covered with plexi frame.

Panel 12 in a series of 20 panels. Drawing of a Kwakwaka’wakw headdress. A large central face has rounded ears on top of the head, heavy brows, a thin nose with large round nostrils and a thick-lipped mouth showing several large teeth. The chin recedes. Arms extend out from below, hands held palms up, fingers closed. On the shoulder sits a small rectangular face with large eyes, heavy brows, large nose and closed mouth. Between the arms is a large face, somewhat in recession, with round eyes, oblong nose, open mouth and three rounded teeth. On top of the central head between the ears is a small human-like face wearing a basketry style hat with two rings on top. Drawing sits in sequence with 2980/11 and 2980/13 and shows continuing components of each. Covered with plexi frame.

Panel 5 in a series of 20 panels. Drawing of a Tlingit shaman’s spirit mask, primarily monochromatic. The large face of a man covers most of the surface of the drawing. Round, heavily lidded eyes sit below thick curved brows that have a touch of brown colouring. The forehead is short with a fringe of hair along the top. The nose is thin and sharp, the mouth is thick lipped and slightly open, showing the bottoms of two small sharp teeth. A moustache and beard surround the mouth. On the right cheek are a small knot and a vague impression of a diamond. The background below the mask shows smooth river rocks. On the far right of the drawing are strands of yellow and brown hair continuing from 2980/6.