Black stoneware watering can. Round with flaring sides and flat base, with wide slightly arched handle. Triangular opening above handle, below pointed tip. The long spout is slightly bent at the middle. Maker's mark stamped under handle.

Round stoneware vase with small mouth and wide lip. Background is brown with patches of darker brown and white. Coarse and bumpy texture on surface. Stylized signature on base.

Thin (1.5 cm thick), roughly rectangular, slightly L-shaped, mildly concave piece. One chip broken off. Glued together with A556394. 18th century Labrador Inuit. Found in collection. For reference to jaw scraper see: Bird, Junius Archaeology of the Hopedale Area, Archaeological Papers, American Museum of Natural History, Vol. 39, 1945, pgs. 158-159, Fig. 25f.

Large stoneware dish. Dish is round, with an everted rim and thick base with foot. The well is painted with an image in blue of a woman holding a chicken. The two look each other in the eye. Surrounding the image are overlapping feather shapes in three encircling rows on the rim. Lip is painted a dark grey. Exterior is undecorated. Signature on bottom of plate.

Large stoneware dish. Dish is round, with a high everted rim and thick base with foot. The well is painted with a blue line drawing of a man and woman standing naked in a wooden bathtub filled with water. Colours are subdued, the water a light blue-green and the wood and hair shaded with yellow. Image is surrounded by encircling lines in dark grey and blue along edge of well and rim, as well as on the exterior. Signature on bottom of plate.

Large quilt with a red and white checker pattern on front, plain on back. On each square are lists of names embroidered in cursive writing. The writing is in red thread on the white squares, and white thread on red squares. The quilting is stitched in horizontal lines across the piece, with the corner of each square done in diagonal lines thereby creating diamond patterns linking four squares.

Wood instand with glass inkwell. Base (part a) is made of a low square of cut wood. Top back is flat, while front is curved concavely. The wood is painted dark brown. A round hole is bored through the centre back to hold the glass container (part b). Inkwell is round, with a thick bottom that flares toward the thick rim at top. A paper label is nailed to the front edge. Label reads: "This Inkstand is made from timber taken from the “S.S. GLAD TIDINGS”, First Methodist Mission Boat on the British Columbia Coast., 1884 - 1903".

Long, thin woven rag rug. The warp is made of a thick, soft rope-like fibre and burlap that terminate at each end in loops. The weft is made of thick wool, woven in regularly spaced lines of red and black, white and black, red and blue, and red and brown. At each end is a wide stripe of red, yellow and tan.

Panel 20 in a series of 20 panels. Drawing of a carved, green, adze handle. At the top of the cylinder is a carved face with deep-set eyes, a small nose and a narrow chin with small open mouth. Long curving horns sit atop the forehead. Below this face is the head of a bird-like creature, with large round eyes, and a beak-like nose. Red carved circles appear across the rest of the cylinder top. Branches of a nearby tree reach around the cylinder to its front. Behind the object is a landscape of fir trees and a heavily clouded sky. The drawing is split between 2 equally sized panels, one sitting on top of the other. Covered with plexi frame.

Panel 19 in a series of 20 panels. Drawing of a Bella Coola echo mask. The mask sits left of centre and is oval in shape, with a flat top and short forehead. Heavy dark brows sit above round yellow and rust coloured eyes. The nose is bright green with brown nostrils. The mouth is light green and grey, with a long upper portion that thins to lips which hang far below the jawline and curve sharply to the left. The background of the drawing shows trees, a distant forest landscape and heavy mist in charcoal and black conte. Covered with plexi frame.