Watercolour and ink painting of Lao Tzu, ancient Chinese philosopher and founder of Taoism, produced for the lunar New Year. The image shows Lao Tzu riding a blue ox, who's head is wrapped around his master's leg on the right. A circle with geometric linear patterns surrounds the philosopher's head. In front of him sits an incense burner on a short pedestal, with two attendants standing to the sides. One holds a sheathed sword, the other a group of feathers. The painting is adhered to a long scroll of heavy paper covered with white silk, attached to a wood scroll bar. A brown ribbon is attached at top.

Watercolour and ink painting of Guanyin, Buddhist goddess of mercy, produced for the lunar New Year. The painting is adhered, below the midpoint, to a long scroll of heavy paper covered in silk and attached to a black wood scroll bar. A brown ribbon is attached to the top of the scroll. Image shows Guanyin dressed in white, grey and blue robes, an intricate copper and green crown on her head, seated on a blue lion with flowing yellow hair. Behind the goddess are two circles containing geomentric linear patterns, accented with yellow and blue.

Watercolour and ink painting of Guanyin, Buddhist goddess of mercy, produced for the lunar New Year. The image shows Guanyin dressed in black and grey robes, with a gold headdress and elaborate necklace. She sits on the head of an elephant, reading a small book, in front of circles filled with geometiric linear patterns and blue and gold colouring. The painting is adhered to a long scroll of heavy paper covered in silk and attached to a black wood scroll bar. A brown ribbon is attached to the top of the scroll.

Watercolour and ink painting of Guanyin, Buddhist goddess of mercy, produced for the lunar New Year. The image shows Guanyin dressed in white and grey robes, with a white and gold crown and elaborate gold necklace. She sits cross-legged above brown and green vines, and in front of circles filled with geometiric linear patterns and blue and gold colouring. The painting is adhered, below the midpoint, to a long scroll of heavy paper covered in silk and attached to a black wood scroll bar. A brown ribbon is attached to the top of the scroll.

Watercolour and ink painting of Zhongkui, king of ghosts in Chinese folklore, produced for the lunar New Year. Zhongkui rides on the back of a black tiger, flying over a mountainous landscape. He holds a flaming orb in one upraised hand. Two figures stand below on a hillside, one brandishing an unsheathed sword, the other hoding a brown ring with a diamond motif in both hands. The painting is adhered to a long scroll of heavy paper covered with white silk, attached to a wood scroll bar. A brown ribbon is attached at top.

Watercolour and ink painting produced for the lunar New Year. The image is of lady Magu, an immortal, protector of females, known as the Hemp Maiden. She carries a staff over her shoulder, balancing a basket of greenery and lotus flowers. To her left stands Shou Xing, the god of longevity. He holds a peachwood (?) staff in one hand and lifts a dried fruit to Magu with the other. To her other side is a child carrying a basket of immortal peaches. A black and red inscription in Chinese text is written above the figures. The painting is adhered to a long scroll of heavy paper covered in silk and attached to a black wood scroll bar. A brown ribbon is attached to the top of the scroll.

Cloth and wood puppet of a male figure. Head is wood, with white face and painted eyes, brows, mouth and hair. Long mustache and beard of plastic fibres emerge. Figure wears a tunic of patchwork fabrics in blue, red, green and pink, with a stripe of shiny red around neck to waist. Under this are padded legs attached to black and white boots that show under the tunic. Arms are held outstretched, with wooden hands attached. Thumb is stationary, while fingers are able to bend and flex as a group. Puppet can be controlled by inserting hand up the back of tunic to a hole in head and spaces along arms.

Small reclining figure of a woman (courtesan). Figure lies on her side on top of a robe that covers her at the waist. Folds in robe are accentuated with carved grooves and black paint. A pillow lies under her head. Figure’s hair is pulled back in an elaborate style, decorated with a flower. Her hair and face are carved and accentuated with paint and her shoes are painted red.

Charm carved from a piece of mother-of-pearl? it is roughly rectangular, with a rough scalloped back, and shaped cut-outs opposite. Colour is an iridescent white, with areas of orange and grey.

Inkstone carved from a single piece of speckled yellow and brown stone. Object is rectangular, with four low square feet carved on each bottom corner. Top front has a round shallow well, behind which lay two lions(?), with their bodies facing away from well, heads turned to look back over their shoulders. A second hollow has been carved between their tails. Remnants of decorative lines surround the inkwell area, and nearly invisible incised designs decorate all four edges.