Miniature, yellow-green carving of a monkey sitting on a water buffalo's back, pulling its horn.

A small ceramic vase (part a) with a rounded upper body tapering into a flared bottom. Vase is copper-coloured with mauve, and red glaze. Has a wooden stand (part b).

Ivory snuff bottle (part a) shaped like a cicada; not a real bottle as the interior is only drilled hole not entirely hollowed. The head is removable, acts as the bottle's stopper (part b), and has a short spoon attached at one end. Part c is a wooden stand with four legs.

A bluish brown glazed vase (part a) with a lozenge-shape in cross section. Has rectangular impressed panels with "pa kwa" in relief or trigram in combination of short and long parallel strokes. With wood stand (part b).

Vase (part a) with wooden stand (part b). A four-sided beaker-shaped red lacquered vase (part b) on metal and trimmed with brass at rim and foot. Side panels decorated with figures in landscapes. Each side panel has three parts: an upper section, a middle section, and a lower section. Turning the vase counter-clock-wise the description is as follows. One side panel has an upper section depicting two people looking at another separated from them by a cross-sectioned terrace with a large building on the left and a smaller building in the above background, a middle section depicting two people with one holding a flute-like instrument with a large building on the left and a smaller building in the above background's rocky mountainous terrain, and a lower section depicting two people talking to each other surrounded by a terrace. The next side panel has an upper section depicting two people at either sides of the person in between them with another person in the lower right corner looking across at them and a building at each of the top corners, a middle section depicting two people facing each other with one dancing and a building to the right, and a lower section depicting one person sitting under a tree on the left and another person sitting on a rock on the right. Another side panel has an upper section depicting two people looking at another separated from them by a cross-sectioned terrace with a large building on the left and a smaller building in the above background, a middle section depicting two people with one looking at the other while raising his left arm and the other person holding a long object in his right arm with a building at each of the top corners, and a lower section depicting two small people looking at their superior with one small person farther to the right under a tree. The last side panel has an upper section depicting two people at either sides of the person in between them with another person in the lower right corner looking across at them and a building at each of the top corners, a middle section depicting three people in triangular formation with a building on the right, and a lower section depicting a kneeling person being approached by someone on the right with a building on the left.

A pair of small ceramic jars with lids (one jar parts a-b, the other parts c-d). The jars have a floral design in blue on white.

Vase (part a) is lobed-shaped with designs of dragons and wave patterns painted in blue on a white background. Border has a scroll design also in blue, semi-matte surface. With circular wood stand (part b).

A ceramic plate with the centre panel showing an elderly man with four children. Two of the children are at either sides of the elderly man. The other two children are in front of the elderly man, and both are holding a lantern up high with their left arm and their left leg up. Border decoration has symbolic crest designs. Blue on white.

Plain monochrome pale green glazed vase (part a) with stylized design of lizard on each side of the neck. Vase has a bulging lower body tapering upward into a long tall neck. (Part b is a circular wood stand, in storage.)

Full length standing female figure, traces of colour red on light clay. Her hair is tied up in an elaborate bun at the top of her head. Her right arm is resting at her side. Her left arm is bent at the elbow so that her left hand can rest on her rounded stomach where she is holding an object. Her clothes are draped around her shoulders with her neckline visible.