Paper offering in the form of 60 "Hell Bank Notes" for 50,000,000 dollars, each a rectangular piece of off-white paper with blue printed text and the image of a building on one face, and red text with the image of a bearded man on the reverse with a green background to either side of the image. Part a is folded to hold the remaining bank notes.

Shadow puppet of bearded man with yellow coloured face. He is dressed in a gold pants and tunic that have scroll and geometric designs on it in red, green, and black. Wooden rod with metal attachment is connected to the neck and hands of the figure.

White valance with dark blue embroidery. The valance has five large squares and a border around three sides. The border includes triangular corners and two bands, one thick and one thin. The bands and corners have pictorial scenes with human figures, bridge, floral, animal and bird motifs. The large squares have human figures, floral, bird, dragon, swastika, wave and vase motifs. At both ends is a figure upon an animal. The horizontal edges are selvage; the vertical edges are hemmed.

White valance with dark blue embroidery. The valance has five large roundels and a border around three sides. The outer roundels are identical with fish and floral motifs. The inner left roundel has stag and floral motifs. The inner right has phoenix and floral motifs. The centre roundel has fish, phoenix, stag, vase, floral, frog and pine motifs. In between the roundels are vase, floral and fan motifs. The border has motifs, thin floral band and triangular corners. The top edge is selvage; the other edges are hemmed.

Brass coloured fish curled in a circle. The tail fin is near bottom, the body is decorated with carved scales, and there are sharp scalloped edges around the perimeter of the piece. The object is a rattle inside.

Three dimensional brass coloured figure of older man in sitting position holding a long staff in one hand. Figure has a high forhead and a hat on his head.

Black coloured circular bracelet joined with elaborate knot of brass wire coated with red paint(?).

Dark-brown rectangular-shaped wood block (part a) that has a wide base and slants inwards at the top. Two holes go through each side of the piece. There is a long linear slit in the centre of the piece near the top. Parts b and c are two light-brown long cylindrical-shaped sticks.

Two rectangular prints (parts a-b) each depicting a civil door god (wen menshen;文門神), shown in opposite colours and positions. Both are wearing an elaborate headdress. Part a depicts a man in a mostly red robe, with green and yellow parts. He holds a flat oval shaped scepter, known as huban (笏板) in his right hand, and an orange ritual wine vessel known as jue (爵) in his left hand. He is facing to his left (viewer's right). Part b depicts a man in a mostly green robe, with red and yellow parts. He holds a flat oval shaped scepter, known as huban (笏板) in his left hand, and an orange ritual wine vessel known as jue (爵) in his right hand. He is facing to his right (viewer's left).

Two rectangular papers (part a-b) depicting military door gods (wu menshen; 武门神), named Qin Qiong and Yuchi Gong (秦琼 尉迟恭). Each wears a yellow, red and green elaborately layered outfit that consists of wing-like projections from his back, a headdress, and boots. Part a depicts Yuchi Gong (尉迟恭) who is shown holding a brown guandao pole weapon with a green blade top in his right hand; in the left hand he holds a bow behind his back. Part b depicts Qin Qiong (秦琼), who is shown holding a brown guandao pole weapon, with a green blade on top, in his left hand; in his right hand he holds a sword behind his back. Bright red background.