Paddle carved from a single piece of wood. On one side, the blade and shaft have carved and painted designs with inlaid abalone and operculum shells. The shaft has a large red whale(?) with a row of operculum teeth facing the grip, and below the cedar wrap, a raven(?) profile. The blade has a black wolf-killerwhale(?) and a small red salmon(?). The grip is natural, with either side painted black and inlaid with abalone shell. The blade, throat and mid-shaft are wrapped with cedar root. A thin black leather strap is tied below the grip.

Bentwood box made of yellow cedar, with separate lid (part b). Box is deeply carved with images of birds on two sides, decorated with inlaid circles and ovals of abalone shell for eyes and feather decoration. Into one side of the box is carved a wolf, painted black, with 8 shell operculua creating an even row of teeth in the open mouth. Abalone shell is used for the eye and other decoraton. A flower with foliage is carved beside the wolf. The fourth side is carved into repeating triangular and oval motifs, with black and rust paint accents. The lid (part b) is raised on one side, with 18 shell opercula in 6 rows of 3 shells decorating the high edge. Edges are painted black, while the top is coloured rust. Lid has an inset lip at bottom.

Carved wooden rattle with stand (part b). Rattle has a round head, relatively flat, with strips of cedar looped around the outer edge. The front is decorated in a blue painted thunderbird motif with white accents, while the back is painted with a black thunderbird. The handle of the rattle is tightly wrapped with a braided cedar rope. The stand (part b) is cone shaped, with a hole at centre top into which the rattle's handle fits in order to hold it upright. The stand is undecorated except for black paint in and around the hole and base.

Tall glass sculpture with three cedar mount parts. A tall glass cylinder (part a), rounded at top and bottom, is the central piece in the sculpture, representing a trade bead. Its under-layer is frosted white, covered by a red frosted cut-out layer in swooping patterns and dots. It sits on a low, round cedar base (part b), carved along the edge, with a mat of woven cedar bark at centre. A hole in the middle supports a wood pole (part d) that extends throught the glass cylinder and is capped at top by small wooden lid (part c), carved similarly to the base.

Tall, double-sided, three-dimensionally carved vertical panel on stand. Killer whale and crocodile themes; one side is inspired by coastal Salish themes/imagery, the other side is inspired by Sepik River (Papua New Guinea) themes and imagery. Made of cedar, walnut and rosewood with ebony inlay.

Silkscreen print on light tan paper. The artwork shows, in a rust brown, a central conglomeration of salmon and their predators, such as birds and wolves, in a stylized linear style. The image is bordered by a thick line of black and tan motifs in ovals, sickles, thin lines and curving triangles.

Long, heavy steering paddle. Painted design on one side and deeply carved design on the other side. Painted side features stylized designs in grey and white. The paddle is long, with a wide notched handle at the top. The neck narrows before the blade. At the bottom of the blade, the paddle narrows to a point. The carved side of the paddle features three faces, two of which are anthropomorphic with narrow eyes, a wide nose and narrow mouth. The face at the bottom is larger than the one above. The small face on the handle looks bird-like, possibly an owl? Signed and dated near handle.

Bentwood box (part a) with separate lid (part b). Softly curved walls of box are attached to square base with pegs and adhesive; sides of base are painted black. Bird motifs painted in red across front and back of box, made up of formline design elements; other formline motifs painted on left and right sides. Sides of thick lid are painted black, rest is undecorated; lid has a short inset lip. Artist signature and date made written and incised on base of box.

Painted drum (part a) made of stiffened skin stretched over round wood frame. Skin wraps around frame edges to the back; thin strips of sinew looped through holes in skin draw material tight. Sinew strips lashed together in centre with leather thongs; black looped cord attached to leather, for hanging purposes. Face of drum has bird, fin and sun motifs painted across surface, made up of formline design elements; done in dark blue, gold, and dark red. Artist signature and date made painted along side of drum; done in red. Drum rests inside separate square wood frame (part b) with tall walls (Metal hooks and wire in interior and on back of frame, for hanging purposes).