Pair of large reddish-brown rawhide moccasins (a-b) with tall cuffs and long laces knotted together. The only decoration is the white triple stitching of the seam joining top to sides. Additional piece of skin is added to lengthen the tongue.

Multi-media installation. The doll (a) consists of a wooden artist’s maquette body with brain-tanned deer hide head (no facial features), hand coverings, and dress (with fringes at sleeves and decorated with English and Cree text written in pink gel-pen ink), pink and yellow cut-glass seed beads sewn onto dress and moccasin boots, horse hair braids with white satin ribbon, ncecklace of porcupine quill, brass bead and sinew, clam shell earrings, and a belt with large brass buttons. The doll sits in a chair (part b) constructed of deer hide, wood, and sinew, and face a small LCD screen, which fastens to a wooden base (part c), and plays a video loop, with video and audio footage created by the artist.

Red catlinite pipe head (a) and long wooden stem with squared sides and centre ridges (b). Carved into the medium brown wood of the stem, near one end, is a series of stained brown chevrons, and stained onto it are thick brown chevrons facing the opposite direction. The pipe has a wedged front tip, a stove-pipe like bowl that stands up from near mid-point. Concentric rings are carved near the rim of both the bowl and the end that joins the stem.

Hide jacket with bead work and fringe. The jacket has a short standing collar, long cuffed sleeves and centre opening with hook and eye closures. On the front is a deep ‘U’ shape beneath the collar with a beaded floral motif on black appliqué fabric. There are two pockets on the lower front. There are beaded patches on the front, pockets, shoulders and upper back. Patches include floral motifs, fish skeleton and rectangular shapes. There is fringe on the ‘U’ shape, sleeves and upper back. There are braids of brown hair attached to the back of each shoulder. The inside is unlined.

Rectangular band of beading; multicoloured geometric patterning on white ground. Stands of wool protrude from either end; red, yellow, purple. Beads are white, red, three shades of blue, black, orange, light and dark green.

Pair of heavily beaded leggings; multicoloured double floral motif on white ground. Lined with cotton. Wool trim at edges; red at top, purple down side and around bottom. Tied shut with fringe-like hide thongs down the side.

Beaded bag on the top and on the back of the flap with a fringe around the sides and curved bottom. Main beaded design consists of four green leaf-like shapes bordered by red on a white background bordered by diagonal light blue and mauve bands. A metal button is at the top middle. An abalone shell ? trinket is attached with a metal chain. Red ribbon at either top side.

Dress yoke with beads sewn onto a backing of brown satin and cotton interfacing. This backing is lined by the same brown satin. The beadwork is in a pattern of horizontal light and dark blue stripes interspersed with clear yellow and greenish-blue bands with several star shapes in clear yellow, dark blue and light greenish-blue. Beaded fringe with cowrie shell ends. Skin ties at sides and neck.

A skin pouch sheath with thong strap and wooden peg in thong. Metal jingles are attached around edge of pouch. One side has a beadwork design of three shapes on a white background. The top shape is pink outlined with black and having a green triange within at the bottom. The middle shape is blue, red, and blue. The bottom shape is a black, blue, yellow, and green heart.

One rawhide skin moccasin with the sole sewn on and sewn up the back. Fringe at back and on tongue. Cotton binding on top of ankle pieces. Beaded on top with a large green triangle from which emanates two dark blue protrusions on a light blue background outlined with dark blue. The sides are beaded with red triangles having a yellow centre and outlined with dark blue on a light blue background.