This pipe has a long, wood stem with brass tacks along the length. The pipe bowl is made from a reconfigured metal spear of shaft with a French style fleur-de-lye design shape and engravings.

This (steel?) knife blade is known as a beaver tail stabber, Hudson's Bay dag or hand dag, with the later appellation appearing in trade accounts. It is a flat, triangular, spear shape joined to the handle with two copper rivets. The blade has no commercial markings. The handle is bone that is etched along the sides possibly with a tally of sorts made by the owner. The shape of the handle is nicely rounded at the grip to fit the palm comfortably and the butt acts as a guard to protect the hand from the blade. There is a third rivet at the end of the bone handle.The name 'scapling" is probably inaccurate . This hide sheath does not fit this dag knife and was probably made to fit a curved, commercial knife. The top edge of the sheath is decorated with a pattern of small quills. Threes crosses decorate a field of white quillwork on the panel. The cross at center is built around a light yellow square at center with dark brown arms. The two crosses on the right and left are pale blue squares at center with dark brown arms. On the edges of the panels, a small strip of red cloth, probably ribbon, is tied to the sheath's loop and two smaller loops with orange and white quillwork are attached. A border of tin cones stuffed with red dyed cloth is suspended from the panel. The streamers have remnants of wrappings with orange quillwork and decorated with additional cones. White quills along the seam and at the top of the knife sheath are applied as overcast stitches.

This wooden club is the gunstock type but it is without a metal blade. It is ornamented with chip carving and brass tacks, but one side is decorated with incising applied by fire or a hot metal tool. The original Jarvis (collector) inscription for the piece reads," Chippeway War Club."

(center in photograph)This ash wood pipe has the length carved in a spiral. Decorations along this are made with lead inlays; a fish appears inside one of the spiral curves, and the flat section on the end has four thunderbirds inlaid on one side and two buffalo heads and two animals (bears?) on the other side. The spiral section is further decorated with burn marks from a searing tool.

The original Jarvis (the collector) inscription reads "Indian pipe Uppo Miss." The pipe stem is carved in the shape of an animal. The snout looks too long on this for it to be a dog. Possibly a wolf, coyote or fox. Two brass tacks serve as eyes and the neck and lips are fire-decorated. There was originally some bone hair trim; a bird scalp and blue feathers still remain near the center. The stem is painted red and blue-green.

The sheath is made of a folded piece of rawhide with quill work embroidery along the edge in alternating lengths of red, blue, black and yellow. A piece of soft buckskin is wrapped around the top as a panel or cuff. The added piece is decorated with quillwork; a white field with alternating triangles of blue and black, underlined with orange (formerly red?) arranged in rows. The top and bottom of this cuff are decorated with narrow borders composed of red and white triangles. The entire pattern is outlined with a thin blue line. The narrow borders continue part way around to the back of the sheath, but the quill work pattern does not. Tin cones dangle from the top two corners of the sheath from hide thongs wrapped with red and blue quills and from the bottom of the cuff on thongs wrapped with red quills. These thongs are threaded through the tin cones to form decorative loops that protect their ends. There is a native repair on the reverse side of the sheath.

Henry L. Batterman Fund and the Frank Sherman Benson Fund

Bequest of W.S. Morton Mead

This is a red catlinite (pipestone) pipe bowl in the form of an eagle claw wrapped around the pipe bowl.

The mocassins are constructed with smoked buckskin that is gathered into a series of small folds or "puckers" by seams running from the area above the toes to the area below the ankle. The seams are decorated by quillwork made up of orange lines and centered white and dark purple triangles crossed by a series of four additional linear designs. The seams of the heel are decorated in simple configured quillwork bands of white, light blue, and dark purple crosses. Cuffs are added onto the mocassins as separate semi-circular pieces of deerskin with quilled borders containing an undulating dark purple band and several straight lines. Metal cones, stuffed with dyed red deer hair are suspended from the edges of the cuffs.