Egyptian drachm coin of Ptolemy III, 246-221 BCE. Obverse: large head of Zeus Ammon, facing right, with curly hair. Reverse: large eagle, facing left, standing on a thunderbolt; to left, a cornucopia; to left, inscription ‘πTOΛEMAIoV’; to right, ‘RAΣIΛEΩΣ’. Coin is very heavy.

Lidded pot, painted and glazed. Green, blue and gold design in vertical rows, separated by blue lines surround outer surface of pot. Green edge at rim. Beige section below pattern to flared foot, which has a black striped pattern on it and a green line just above. The inside of the pot is a pale pink. The lid has a black edge, then a blue line, then a horizontal row of arrow shapes in blue and gold. Above that are five circles with plant images inside. The pointed handle has black stripes. The inside of the lid is a yellowish-beige colour with a green splash.

A small stone sculpture of a ram. The ram is kneeling and there is a small loop at the top of its back. (Object is adhered to a mount.)

Long, flat figure of a bronze fish on a runner-like bronze stand. The fish has a long, pointed jaw, and carved markings indicate eyes and gills. At the top of the dorsal fin is a small headdress or decorative feature.

Votive figure, or shrine, depicting a bird wearing a headdress atop a rectangular podium or alter. Traces of decoration set within a rectangular niche remain visible on the front of the podium. This decoration consists of two horizontal lines of equal length with one vertical line. The vertical line has a dot on either side of it.

A rectangular fragment showing a carved falcon head. The fragment does not appear to have any finished sides and is therefore not a corner or other identifiable architectural piece. Details of the bird still exist, such as the tear duct and defined beak.

An opaque black glass amulet of a kneeling animal, possibly a ram. There is a hole through the centre of the object, which suggests that this carving was used as a pendant or bead. The piece is very worn.

Cast bronze Ibis head with a wooden base. This figure only consists of the bird's long, curved neck and head. Deep lines delineate the beak and the eye, as well as the lower lid of the eye. There is a groove running from the crown of the bird's head to the tip of the beak. The surface of the sculpture is pitted and covered in green bronze accretion.

Cast bronze figure of the deity Hor-Sma-Tawy or Horus-Uniter-of-the-Two-Lands. The figure is wearing a tall, flat, three-pronged headdress. The bottom portion of the headdress includes a striped head cap with a gold-coloured head band, a thick side braid, a braid down the figure's back, and a side panel that extends down over the left shoulder. The figure is standing with its left foot forward. Its left arm is hanging straight while its right arm is bent at the elbow with its index finger touching the mouth indicating it is the child Horus.

A fragment of a fresco painting, mounted in a clear plastic frame. The composition consists of a man and a woman seated beside one another. The female figure is holding the right arm of the male figure. The right side of the composition contains a small table, which is supporting a yellow and red vessel, as well as a lotus flower in a small vase. The male figure is holding the blue stem of the flower. The colours were derived from natural pigment, and the fresco is in stable condition.