Gold pendant, or brooch, in shape of a killer whale in profile, tail curved downward. The pendant is slightly convex. A hanging element at dorsal fin back. A long vertical clasp pin at back centre. Artist inscription on back PJanze (using combined JP).

Carved silver pendant, slightly convex with curved edges. Oxidation used in abstract design. Metal ring at top centre for hanging. Artist inscription on back.

Shaman or healer's globular-shaped rattle features an owl on the front, its beak pronounced and its wings and legs carved in low relief; and on the reverse, another beaked creature, with legs and two-toed claws. Pins of native copper secure the handle, and sinew ties hold the rattle closed; black and red paint accents the carved imagery. (Interior likely holds pebbles, beads or lead shot.)

The silk is black, maroon, blue, gray, white, and yellow.

Bent bark, square basket with rounded mouth. Rim was lined with fabric, then overcast with root. The outside is decorated with a pattern of alternating golden brown or brown squares between two bands of triangles. (Parts of the rim have thin fibres or plastic string inside.)

Headdress in the style of a bearclaw headdress, except the "claws" are each carved from sheep horn. Two thick leather strips are stitched together at the ends to form a circular forehead strap. Attached to the strap are 24 long, curved "claws" sewn on at their proximal ends. Each is attached by a nail to a small square of horn. Their distal ends are blunted, and a small hole has been bored through each tip for cotton string to pass through. The string connects the horn claws to each other and to two large feather pieces (lower shafts), as well as to short leather thongs. Thin pieces of sinew are wrapped around the string. A piece of cotton is tied to each side, dropping down under the headdress where they are tied together.