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Octopus Bag08.491.8896

Made entirely from trade materials, these distinctive cloth pouches were accessories for ceremonial clothing. They were called octopus bags because of their tentacle-like fringes. Some of the Tlingit designs may have been influenced by proximity to the Athabascan groups to the east. The reverse of the bag is plain.The pouch has four double fringe "arms" and a black wool strap.

Culture
Tlingit and Gwa'sala Kwakwaka'wakw
Material
wool, cotton and glass bead
Holding Institution
Brooklyn Museum
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Wolf Mask used in Wolf Dance (Walas'axa)15.513.2

Wood headpiece representing the head of a Wolf. Painted red, black, and green-blue and inset with copper in mouth.

Culture
Tsimshian, Gitksan, Haida and Gwa'sala Kwakwaka'wakw
Material
wood, copper metal and pigment
Holding Institution
Brooklyn Museum
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Talking Man Mask for Winter Ceremonial05.589.7803

Wooden mask of talking man with moveable mouth that opens to show teeth. Copper plate on forehead. Tuft of fiber on top of head. Ruffle of raffia painted red around mouth area. Black pigment on cheeks and above the forehead area to represent hair. Has metal eyebrows and low-sloping mouth.

Culture
Tlingit, Haida and Gwa'sala Kwakwaka'wakw
Material
wood, copper metal, fur, cedar bark and shell
Holding Institution
Brooklyn Museum
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Slave Killer Club05.588.7289

The object is also referred to as a war club. Its head is a large elongated rectangular stone that is inserted into a carved wooden handle. The handle has three faces, one on the top and the second and third on either side of the ax head. These faces have three rows of hair in small "ponytails" protruding from the ridge above the eyebrows. One of the hair "ponytails" has been cut off, leaving a stump of frayed hair sticking up on the proper left top side of the face. The underside of the handle has a carved seal and midway along the handle is a filled break. The object is painted black with white and red accents. There are inlayed areas of abalone shell around the base of the handle, the sides of the head, and in the eyes and teeth of the faces. The only missing shell inlay is from the base of the handle. The overall condition of the piece is fair and stable. According to Robin K. Wright, Burke Museum, 4/16/03, the face looks more Bella Bella (Heiltsuk).

Culture
Gwa'sala Kwakwaka'wakw and Heiltsuk
Material
stone, wood, abalone shell, hair, paint and resin
Holding Institution
Brooklyn Museum
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