Frog brooch. A small brooch in the shape of a frog with all four legs extended (the left, rear leg extends further than the right). The pin features two large eyes, a wide mouth, and a bony framework outlined on the back. The surface is lightly stippled. The long pin on the reverse of the brooch extends diagonally from the left, front leg to the right, hind leg. Faint hand inscription on underside, in centre: “R'70 A/P”.

Black and red version of print. Depicted are: a left-facing man at the far right of the image; a right-facing raven at the far left of the image; and a vertical central halibut with its head toward the top of the image. The original paper has been folded over at the top and bottom edges (previous framing). Signed in pencil "Bill Reid" and "Bob Reid" below the right corner of the image and again at the bottom of the paper, with “150-5” in pencil.

Print of stylized black and red dogfish with traditional Northwest Coast design elements. Central face with large eyes, diamond shaped teeth, four crescents pointing down on forehead and three on each cheek representing gills. Symmetrical extensions from head on each side, possibly representing profile view of body. Artist name, title, 116/185, "Limited Edition" and date written underneath image in pencil.

Print with two sets of feather-like columns at the top of the page separated by a longer central feather-like column. On either side of the central column and underneath each set of shorter columns are large ovoid shapes resembling eyes. Eyes are red and have black lines in the centre depicting eagles(?). The bottom section of the image has black triangular shapes that point downward resembling sharp teeth. On the bottom edge of the image, there are four shapes in red. The two shapes at either end have rounded edges, and the shapes in the middle are more rectangular in shape and have black lines in the centre resembling animal claws. Handwritten inscription below the image reads: "45-75 WOSKO Francis Williams '77." There is a circular embossed design in the right corner.

Long, rectangular, scoop-shaped utensil, possibly a canoe bailer, carved from a single piece of wood. Unpainted and undecorated, with a squared hollow carved out of the centre making three short upright walls with one end open. Old nail holes can be seen along the edges of the open end. The object is slightly curved with a rounded base.

Plaited square basket with rounded corners. Around the top edge of the basket, the cedar bark is folded over so that the ends of the pieces are exposed around the exterior of the basket. The folded pieces are held in place with a thin piece of bark which demonstrates plain twining. The basket is primarily red brown but there are two bands of contrasting dark brown plaited around the middle of the basket. The bottom of the basket is also plaited but with much wider pieces. The artist’s name is written in black pen on the bottom of the basket. There is a small paper tag attached to the basket which has the artist’s name, community and a price written on it in pen.

Print of large stylized raven in red and black with traditional Northwest Coast design elements. Head and body in centre. Face with thick eyebrows, large eyes, nose, and mouth with teeth. Raven holding a sun in its claws. Four wings, two on each side, extend from central body.

Stylistic design of an animal figure. Rectangular shape contains two large ears, a head with two large eyes and a row of teeth. Two legs with three claws at lower corners turn inward. 94/100 and artist name written underneath image in pencil.

Gift of the Ernest Erickson Foundation

Gift of Mrs. Robert Edward Healy