From card: "Made of spruce and carved with totemic devices. The plaster cast by the side of each stick shows the figure carved thereon. [Plaster casts are # E73552-1].This game is played by any number of persons. A 'dealer' sits on the ground with a pile of shredded cedar-bark in front of him, and with much ceremony draws out the sticks one by one without looking at them, and passes them to the players in turn who sit in front of him. Each device counts a certain number, and the winning is by high or low or definite or specific amount"8 of the gambling sticks are illus. Pl. V, after p. 260, in the B.A.E. 24th Annual Report - Stewart Culin, "Games of the North American Indians" - (under incorrect catalogue # of 73522). The game is also described/discussed on pp. 260-263 of that publication and identified as stick game.This object is on loan to the Anchorage Museum at Rasmuson Center, from 2010 through 2027. E073552-0 whole set on loan. 18 gambling sticks and bag on display and 14 gambling sticks for storage in exhibition's Community Consultation Room. E073552-1 (cast) is not on loan.Source of the information below: Smithsonian Arctic Studies Center Alaska Native Collections: Sharing Knowledge website, by Aron Crowell, entry on this artifact http://alaska.si.edu/record.asp?id=607 , retrieved 8-12-2011: Gambling sticks Stick gambling, often for very high stakes, was a fast-paced contest between two men or as many as a dozen players on each side. Each man owned several sets of thirty to seventy polished sticks and switched them during play to better his luck. Most pieces had carved or painted designs, but several called jil (bait) were plain. The rules varied, but in basic play the dealer shuffled two or three handfuls of the sticks, including one jil, beneath a mound of shredded bark; his opponent then guessed which pile held the bait.Illus. Fig. 9.6, right, p. 151 in Yanicki, Gabriel & Ives, John. "Mobility, Exchange, and the Fluency of Games: Promontory in a Broader Sociodemographic Setting. " In Prehistoric games of North American Indians: Subarctic to Mesoamerica, ed. Barbara Voorhies. University of Utah Press, 2017, 139 - 162.

This object is on loan to the Anchorage Museum at Rasmuson Center, from 2010 through 2027.From card: "Illus. in USNM AR, 1888; Pl. 23, fig. 91; p. 278, also in Proceedings, USNM, vol. 60; Pl. 15, no. 4; p. 48."Source of the information below: Smithsonian Arctic Studies Center Alaska Native Collections: Sharing Knowledge website, by Aron Crowell, entry on artfact http://alaska.si.edu/record.asp?id=618 , retrieved 6-24-2012: Adze House and canoe builders did their heavy woodworking with stone-bladed adzes. The grooved blades were basalt, greenstone or jade, lashed to a handle made from a forked tree branch. On great occasions such as a house-building potlatch, the host might carry an adze to symbolize the wealth he had achieved by building and trading canoes.

From card: "'Tadn skillik, and evidence of rank of chief. Each kako or basket (ring) or each section of a carved column represents the number of feasts or distribution of gifts given by the chief.' Swan's descriptive catalogue." AS OF 2006, CAT. #89075 CONSISTS OF ONE COLUMN OF 9 CYLINDRICAL WOVEN SPRUCE-ROOT? RINGS, SOMETIMES REFERRED TO AS "POTLATCH RINGS," USUALLY USED ON TOPS OF HATS. -F. PICKERING 5-10-2006

From card: "Made by Geneskelos. Illus. in USNM AR, 1888, pl. 8, fig. [31, 33], p. 260. 20251A -- Bear design. Loan: R. H. Lowie Museum Dec. 31, 1964. Loan returned Feb 15 1966..." From card: "card 2. 20251A illus.: Hndbk. N. Amer. Ind., vol. 7, Northwest Coast, fig. 8 bottom, pg. 124."From card: "20,251. Bracelets (2).---silver band, bent in circlets; open spring clasp; exterior chased and engraved. Diam., 2 1/4 ins. Breadth of band, 1 to 1 1/4 ins. Queen Charlotte's Island, British Columbia, 1876. Collected by J. G. Swan for Centennial Exposition, 1876. Made by "Geneskelos," a Haidah Indian of Lashkeeh. Device represents hoort's, the bear, and skamskwin, eagle (or thunder bird)."The original Anthropology catalogue ledger book identifies E20251 as one pair of silver bracelets made by Geneskelos. However, at least since 1888 there appear to have been 3 bracelets with catalogue number E20251: E20251-0 (20251A) a bear design bracelet; E20251-1 (20251B) a bear design bracelet decorated in a different style than E20251-0; E20251-2 (20251C) an eagle or thunderbird design bracelet decorated in the same style as E20251-0. Per Robin K. Wright and Kathryn B. Bunn-Marcuse, E20251-0 and E20251-2 appear to have been made by Geneskelos. Wright and Bunn-Marcuse doubt that Geneskelos made E20251-1. E20251-0 is Fig. 39, E20251-1 is Fig. 41 and E20251-2 is Fig. 40, all on p. 68 of Bunn-Marcuse, Kathryn B. 2007. Precious Metals: silver and gold bracelets from the Northwest Coast. Thesis (Ph. D.)--University of Washington, 2007.

TOTEM POLE - 74" LONG, 6" WIDE. BIRD AT TOP. PAINTED. MARKED HAIDA. WRONG # 56445. THIS MODEL TOTEM POLE IS HAIDA, ACCORDING TO ROBIN WRIGHT, BURKE MUSEUM. - F. PICKERING 6-29-1999ROBIN WRIGHT, BURKE MUSEUM, UNIVERSITY OF WASHINGTON, FEELS THIS HOUSE FRONTAL POLE MODEL MAY RELATE TO/BE PART OF HOUSE MODEL ET14554.A photo of what appears to be this totem pole model with house model ET14554 on display at the Smithsonian circa 1879 (photo may actually date more specifically to 1882 - early 1885) is in the collections of the Smithsonian Institution Archives: Photo ID 2962 or MNH-2962, Smithsonian Institution Archives, Record Unit 95, Box 41, Folder: 4, https://siarchives.si.edu/collections/siris_sic_8263 . House model with pole is on back right of photo in front of house front.Per Robin Wright, Professor and Curator Emerita, University of Washington, 2018, ET14554 and ET24468 may be James Swan collection pieces, based on the similarity of the ET24468 model pole to another model pole, No. E74748, that is linked to Swan and carved by Johnny Kit Elswa, a copy of a chief's frontal pole in Tanu. Robin Wright is now convinced that this model pole is based on Kitkun's house frontal pole in the Haida village of Tanu. It depicts the story of the flood with a stack of hat rings. Raven rescued the village during a flood by pulling up on the chief's hat rings making it grow tall enough for the people to climb up out of the flood waters. There were three poles with this motif in Haida Gwaii. The original one was in Skedans - the right to portray this story was given by the chief Gidansta to Kitkun and also to Chief Wiah in Massett where Wiah put it on his "Monster House." The Tanu flood pole was just being finished in preparation for the pole raising potlatch when George Dawson was there in 1878. James Swan and Johnny Kit Elswa were welcomed into this house when they visited the young nephew Kitkun who had taken his uncle's place in 1878. This model has the same colored paint that the other Johnny Kit Elswa pole E74748 has, and Robin Wright now thinks Kit Elswa probably carved it. This model pole has fewer hat rings than the full sized pole, but it does have the dogfish below and human figures climbing to the top.In James G. Swan correspondence in accession record No. 5260, Swan talks about sending two Haida house models. However, only one was catalogued, # E23547. It is possible house model ET14554/ET24468 or house model ET24565 may be from this accession?

CATALOGUE IDENTIFIES AS MADE OF SEA LION THROAT, HOWEVER FRAN REED COMMENTS THAT THIS IS LARGE AND COULD BE WHALE INSTEAD, 2/1999.From card: "Fisnskeu." There is an original Swan tag attached to 88741, marked to indicate that the information applies to E88740, E88741, and E88742: "No. 37, 3 pouches made of throat of sea lion used for holding feathers for dancing. Tisn [or Fisn] skeu. Haida, Massett, Queen Charlotte Islands, July 1883, 28 c each."