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Carved Rattle (Shisha)E89078-0

From card: "See U.S.N.M. [Annual] Report 1888, pl. LIV, fig. 288 [after p.324] .... Niblack. See pl. LIII, [after] p. 324 [for a similar rattle]. Representing the raven. [The card information that follows is from the second/copy of the Anthropology catalogue ledger book entry on this artifact, where it has been added in a different hand from the main ledger page entries:] The lower part of the bird represents the thunder bird. The tail is turned up and carried so as to represent a [blank]. The bird carries on his back a reclining figure which holds its knees. It represents the land otter."This object is on loan to the Anchorage Museum at Rasmuson Center, from 2010 through 2027.Source of the information below: Smithsonian Arctic Studies Center Alaska Native Collections: Sharing Knowledge website, by Aron Crowell, entry on this artifact http://alaska.si.edu/record.asp?id=632 , retrieved 6-24-2012: Rattle This rattle shows Raven carrying the sun in his beak. On Raven's back, a human-Ulala (Cannibal) figure extends its tongue into the beak of a crested bird, symbolizing the exchange of spiritual power between the two beings. A sparrow hawk design covers Raven's belly. Shamans, who used these rattles in healing ceremonies, believed that healing and clairvoyant powers came from birds and animals. Chiefs carried raven rattles during ceremonies of the Haida secret societies. "The humanoid is being transformed when its tongue goes into the frog or bird; the rattle is showing a transformation that is used for healing. This type of rattle was not used for evil; it was used for good. I think we have to really emphasize that this is a healing rattle." - Delores Churchill (Haida), 2005Listed on page 42 in "The Exhibits of the Smithsonian Institution at the Panama-Pacific International Exposition, San Francisco, California, 1915", in section "Arts of the Northwest Coast Tribes".

Culture
Haida
Made in
Skidegate, British Columbia, Canada
Holding Institution
National Museum of Natural History
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Canoe PaddleE23525-0

From card for E23523-46: "Dec 20, 1972, Bill Holm says that these are definitely Haida."Cultural ID for paddles E23523 - 23546 is somewhat in question. They were catalogued as Clallam, Bill Holm has identified them as Haida, but James Swan in correspondence in the accession file references 24 Bella Bella paddles.

Culture
Clallam ?, Haida ? or Bella Bella (Heiltsuk) ?
Made in
Washington, USA
Holding Institution
National Museum of Natural History
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Carved Cane, Sea LionE89114-0
Copper Ear-OrnamentsE74190-0

FROM CARD: "EX. LEIDEN MUS. MAY, '99 (1899)."Group of small ornaments in the form of copper "shields".

Culture
Haida
Made in
Skidegate, British Columbia, Canada
Holding Institution
National Museum of Natural History
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Carved Agillite PlateE2571-0

Plate has been broken and repaired. Incised and carved relief decoration, front and back, including floral and leaf motifs, compass-drawn motifs, cross-hatching. Has original Peale # label.Provenience note, in 1841 Oregon Territory encompassed the land from Russian Alaska to Spanish California and from the Pacific to the Continental Divide. The U.S. Exploring Expedition did not go to Canada, but did reach Oregon Territory in 1841, and carried out a hydrographic survey of the Columbia River from its mouth to the Cascades, as well as doing some surveying inland.They had dealings with Hudson's Bay Company staff during that time, and it is probable that the HBC is the source of a number of the Northwest Coast artifacts collected by the expedition. This object has been attributed as possibly Haida, based on its being made of argillite.

Culture
Haida ?
Made in
Fort George, British Columbia, Canada
Holding Institution
National Museum of Natural History
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Slate Totem-Pole ModelE88978-0

From card: "Bear, bear-killer whale, raven and dog fish motifs."

Culture
Haida
Made in
British Columbia, Canada
Holding Institution
National Museum of Natural History
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Small HammerE306363-0
Plate Or Saucer Carved From SlateE2572-0

Plate carved from black argillite. Rim (1.5 cm. wide) is incised with zigzag pattern. Deeply carved crosshatch is used as background.Incised and carved relief decoration, front and back, including floral and leaf motifs, cross-hatching. Has original Peale # label.Provenience note, in 1841 Oregon Territory encompassed the land from Russian Alaska to Spanish California and from the Pacific to the Continental Divide. The U.S. Exploring Expedition did not go to Canada, but did reach Oregon Territory in 1841, and carried out a hydrographic survey of the Columbia River from its mouth to the Cascades, as well as doing some surveying inland.They had dealings with Hudson's Bay Company staff during that time, and it is probable that the HBC is the source of a number of the Northwest Coast artifacts collected by the expedition. This object has been attributed as possibly Haida, based on its being made of argillite.

Culture
Haida ?
Made in
Fort George, British Columbia, Canada
Holding Institution
National Museum of Natural History
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Necklace Of Spirally Twisted CopperE88746-0
Basketry HatE2721-0

TIGHTLY WOVEN, SINGLE-PAIR WRAPPED TWINE CONICAL HAT, PROBABLY MADE OF SPRUCE ROOT. THE LOWER HALF OF THE HAT HAS A WOVEN DESIGN BY WEFT ON ONE AND TWO WARPS. THERE ARE PAINTED DECORATIONS IN GEOMETRIC AND ABSTRACT DESIGNS IN BLACK AND RED. THERE IS A CAP WOVEN ON THE INTERIOR OF THE HAT FOR A CLOSER FIT. EXHIBITED MAGNIFICENT VOYAGERS, NATIONAL MUSEUM OF NATURAL HISTORY, 1985-86. EXHIBITED SITES "MAGNIFICENT VOYAGERS," 1987-89.FROM CARD: "PER PEALE CATALOG: 2721 = ORIG. 342 = WATER-TIGHT BASKET, OREGON COAST."For small illustration see Hat 111, p. 221 in Glinsmann, Dawn. 2006. Northern Northwest Coast spruce root hats. Thesis (Ph. D.)--University of Washington, 2006. Glinsmann identifies as of Haida manufacture. Hat is also illustrated Fig. 166, p. 149 and described p. 149-150 in Glinsmann: "... it has upward jogs, 3-strand Z-twining on the top and crown, and a mamatsiki brim pattern separated from the crown by 4-string S-twine on the brim turn. The ending is a stitched chevron, the most ubiquitous on the coast by the end of the nineteenth century. This, however, is that technique's debut, for until 1841 it was only seen either incorporating warps ... or running in a right-to-left direction. This technique - without using the warps and in a left-to-right direction - becomes the "classic" Haida ending. The formline painting has fully developed primary and tertiary lines that bespeak mid-nineteenth century Haida design. Also significant is the distribution of the design, which is not limited to the crown, but extends over the brim as well."Provenience note, in 1841 Oregon Territory encompassed the land from Russian Alaska to Spanish California and from the Pacific to the Continental Divide. The U.S. Exploring Expedition did not go to Canada, but did reach Oregon Territory in 1841, and carried out a hydrographic survey of the Columbia River from its mouth to the Cascades, as well as doing some surveying inland.They had dealings with Hudson's Bay Company staff during that time, and it is probable that the HBC is the source of a number of the Northwest Coast artifacts collected by the expedition.

Culture
Haida ?
Made in
USA
Holding Institution
National Museum of Natural History
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