Sterling silver bracelet with hinge clasp; the main design is of a deeply hand-carved eagle. The front of the bracelet is the eagle's face with a human face above at centre, and the arms and hands on either side of the eagle's face, and the legs inside the eagle's ears. The back section in engraved deeply with tail feathers, wings and clawed feet, with cross-hatching inbetween. Inscription inside: Reid '72.

Gold raven bracelet; hand cut and repoussé elements on head, body and wing ovoids. The raven faces right with its body and wings wrapping all around the bracelet. The bracelet raven is essentially the same raven as the matching brooch except wrapped around the wrist, with the body lengthened, the wing feathers lengthened and the wings and feet tucked in more.The hinge is at the end of the tail feathers and the end of the raven’s right wing feathers; the clasp is a right wing ovoid. Inscription on hidden clasp: “HAIDA ART Reid. Bracelet is part of a set with brooch and earrings (2923/2-3 a-b).

Pair of screw-on gold raven earrings. On one the raven faces right and on the other the raven faces left. The raven image is similar but modified, compared to the matching brooch--the head is more downturned and only one wing is shown on each, but they are very detailed. Earrings are part of a set with bracelet and brooch (2923/1-2). Inscription on one earring is "Haida Art," on the other is "Reid."

Gold raven brooch, with the raven facing left; hand-engraved. Brooch is part of a set with bracelet and earrings (2923/1, 3 a-b). Inscription on back "HAIDA ART Reid."

Frog brooch. A small brooch in the shape of a frog with all four legs extended (the left, rear leg extends further than the right). The pin features two large eyes, a wide mouth, and a bony framework outlined on the back. The surface is lightly stippled. The long pin on the reverse of the brooch extends diagonally from the left, front leg to the right, hind leg. Faint inscription on underside, appears to be “R-70”.

Black and red version of print. Depicted are: a left-facing man at the far right of the image; a right-facing raven at the far left of the image; and a vertical central halibut with its head toward the top of the image. The original paper has been folded over at the top and bottom edges (previous framing). Signed in pencil "Bill Reid" and "Bob Reid" below the right corner of the image and again at the bottom of the paper, with “150-5” in pencil.

Print of stylized black and red dogfish with traditional Northwest Coast design elements. Central face with large eyes, diamond shaped teeth, four crescents pointing down on forehead and three on each cheek representing gills. Symmetrical extensions from head on each side, possibly representing profile view of body. Artist name, title, 116/185, "Limited Edition" and date written underneath image in pencil.

Print with two sets of feather-like columns at the top of the page separated by a longer central feather-like column. On either side of the central column and underneath each set of shorter columns are large ovoid shapes resembling eyes. Eyes are red and have black lines in the centre depicting eagles(?). The bottom section of the image has black triangular shapes that point downward resembling sharp teeth. On the bottom edge of the image, there are four shapes in red. The two shapes at either end have rounded edges, and the shapes in the middle are more rectangular in shape and have black lines in the centre resembling animal claws. Handwritten inscription below the image reads: "45-75 WOSKO Francis Williams '77." There is a circular embossed design in the right corner.

Long, rectangular, scoop-shaped utensil, possibly a canoe bailer, carved from a single piece of wood. Unpainted and undecorated, with a squared hollow carved out of the centre making three short upright walls with one end open. Old nail holes can be seen along the edges of the open end. The object is slightly curved with a rounded base.

Plaited square basket with rounded corners. Around the top edge of the basket, the cedar bark is folded over so that the ends of the pieces are exposed around the exterior of the basket. The folded pieces are held in place with a thin piece of bark which demonstrates plain twining. The basket is primarily red brown but there are two bands of contrasting dark brown plaited around the middle of the basket. The bottom of the basket is also plaited but with much wider pieces. The artist’s name is written in black pen on the bottom of the basket. There is a small paper tag attached to the basket which has the artist’s name, community and a price written on it in pen.