This box is carved on all sides with the Northwest Coast "form" style of abstracted figures representing a killer whale.It would have had a wood lid set on top.

Headdress frontlet with a carved bear that can be identified by the depth of its eye sockets and the way its eyes are carved. The Bear appears to be overpowering an insect that has a segmented body and wings behind its head. Framing the carving along the sides and across the top are inset rectangles of abalone shell. Also inset with abalone are the bear's eyes, teeth and paws. The animal's face is blue-green with thick black outlined ears and heavy eyebrows. Its nose, mouth, and torso are red. The proper left edge of the frontlet was repaired and the wood backing for the abalone shell in this area was probably replaced. The object is in good condition. The frontlet might have been hollowed out at the thickest part of the piece behind the face to prevent splitting. The blue-green color is frequently used among the Tlingit while defined eye sockets are frequently indicated by the Haida. Some pieces of abalone shell in this piece are lighter and pinker than other bluer pieces and these pinker pieces may have been replacement pieces for the original blue inlays.

The object is a bent-corner, box-shaped feast bowl having a bear's face with protruding tongue on one end and its tail on the other. The second face on the bear's tail is a visual pun. The object is in fair and stable condition. Although the wood appears to be extruding oil in some areas more than others, the wood is stable. There are several minor cracks on two of the sides of the bowl which are stable. Previous repairs to the side corners remain secure. The join on through the large face where a break was repaired appears firm and stable. According to Robin Wright, Burke Museum, April 16, 2003, this is not Haida because the eye socket lines run right out to the lips of the bear, which is distinctively Tlingit. She added that if the Tlingit still owned the piece, they would have cleaned up the oil and darkened color.

Tall standing woman holding a child. The woman has a chin labret and a long braid down her back, and wears a long dress with carved floral decorations. The base has a cone-shaped hollow carved out.

Tall standing woman holding a child. The woman has a chin labret and a long braid down her back, and wears a long dress with carved floral decorations. White pigment of some kind visible in many of the carved lines. The base has a cone-shaped hollow carved out.

Cap with an embroidered butterfly design.

Bag printed with a butterfly design on one side and inscribed 'I support Repatriation!'

Framed and glazed colour drawing of the totem pole 1901.39.1 erected in front of the chief's house in Masset, Queen Charlotte Island. The characters on the totem pole are identified in pencil. [JP 1/7/2004]

Framed ink drawing of a Haida pictograph representing a two-finned killer whale with a spirit residing in its belly. [CAK 19/05/2009]