Listed on page 49 in "The Exhibits of the Smithsonian Institution at the Panama-Pacific International Exposition, San Francisco, California, 1915", in section "Arts of the Northwest Coast Tribes (Tools)".

FROM CARD: "NAPKIN RINGS.---MADE OF THIN SILVER BANDS, WITH EXTERIORS ENGRAVED WITH VARIOUS FIGURES. HAIDAH INDIANS. DIAM., 1 1/2 INS. HEIGHT, 1 7/16 INS. CASSIAR, BRITISH COLUMBIA, 1876. 20,257-8-9. COLLECTED BY J.G. SWAN FOR CENTENNIAL EXPOSITION, 1876. MADE BY HAIDAH INDIANS UNDER DIRECTION OF MR. SULLIVAN, GOLD COMMISSIONER OF DOMINION OF CANADA. BURNISHED BY RUDOLPH, OF VICTORIA, B.C."

OCTOPUS BAG; FLORAL BEADWORK. FROM JAMES G. SWAN ORIGINAL TAG WITH ARTIFACT: "NO. 201 HAIDA INDIANS HUNTING POUCH. KULTL GEAR. SITKA INDIAN MANUFACTURE. SKIDEGATE, B.C. AUG. 30, 1883, JAMES G. SWAN, $1."Linda Wynne, Florence Sheakley, Alan Zuboff, Virginia Oliver, and Ruth Demmert made the following comments during the Tlingit Recovering Voices Community Research Visit, March 13-March 24, 2017. This is an octopus bag, specifically used for hunting because of the strap. Florence noted that she made a bag similar to this one that took her over a month to complete, and wasn't as busy as this one with regards to the beadwork design. The bag has some large, size 10 beads, which were produced later on, and don't have the same good detail as smaller beads. Virginia commented that someone may have added beads to this bag after it was created in order to sell it. The button on this object could be a brass button taken from a military coat. This bag has double toes and was made with two needles, whereas beaders today usually use only one needle.

FROM CARD: "INDIAN TRADITION SAYS THIS BIRD BROUGHT THEIR ANCESTORS OVER FROM ASIA. REDUCED COPY OF COLOSSAL CARVING. COLLECTOR'S DESCRIPTION ON REVERSE. COLLECTOR'S DESCRIPTION AND LEGEND: "HAIDA INDIANS, FORT SIMPSON B. C. AND TONGASS, ALAS. REDUCED COPY OF COLOSSAL CARVING ON POLE AT FT. SIMPSON, B. C. THE INDIAN TRADITION IS THAT THIS WAS THE SACRED BIRD WHICH BROUGHT OVER THEIR ANCESTORS FROM ASIA. IMAGES OF WHICH ARE SEEN UNDER EACH WING. COPIES OF THIS SACRED BIRD ARE FOUND IN VARIOUS FORM ALL THROUGH ALASKA. V. COLYER."This object is on loan to the Anchorage Museum at Rasmuson Center, from 2010 through 2027.Source of the information below: Smithsonian Arctic Studies Center Alaska Native Collections: Sharing Knowledge website, by Aron Crowell, entry on this artifact http://alaska.si.edu/record.asp?id=510, retrieved 4-24-2012: Crest pole figure (model) This carving of a thunderbird carrying human beings beneath its wings was copied from a totem pole that stood in front of a Tsimshian or Haida clan house at Port Simpson, British Columbia during the mid-19th century. Vincent Colyer, an artist and Board of Indian commissioner who purchased this model of the pole, wrote on a paper tag still affixed to the back that, "Indian tradition is that this was the sacred bird which brought over their ancestors from Asia." This interpretation has not been verified and the story of the image in clan history has yet to be recorded.

5 WOODEN TOOLS WITH NEEDLE POINTS, HAIDA MASSETT SWAN. THESE ARE TATTOOING NEEDLES, MAY POSSIBLY RELATE TO 88905? - F. PICKERING 1-22-2002. Smithsonian Photographic Services color digital Neg. #2005-22349 is a photo of 3 paint brushes # E88905 with the 5 needles # ET15006.

From card: "The cape is funnel shape with an opening for the head. The two sides are painted in conventionalized figures. Illus. in The Far North catalog, Nat. Gall. of Art, 1973, p. 224." Far North catalog caption identifies as "Mantle with stylized faces; woven cedar bark, with black, green and red pigment.