Mother Earthworm figure. Small female figure holding an earthworm in each hand, with their tapering, segmented bodies extending into her mouth. The heads of the earthworms face one another, identical in form but mirrored in appearance. Below the breasts is a small round face on the abdomen, with a long tongue extending out. The figure features inlaid abalone eyes and teeth, and attached hair. Inscribed “TJ 79” on the base.

Wooden portrait mask, with long dark hair. Front surface almost completely painted in red, green and black designs; mouth slightly open showing a row of operculum shell teeth; two curved copper bands nailed on as eyebrows; four cut feathers at the top of forehead, with the ends of the quills projecting down through holes to the inside of the mask. The inside of the mask is plain wood, with a horizontal wooden mouth piece attached. Edge of hair pieces inserted in a cut opening along the full length of each side.

Wooden portrait mask, with long dark brown hair. Front surface almost completely painted in red, green and black designs; mouth slightly open showing operculum shell teeth. The inside of the mask is plain wood, with a horizontal wooden mouth piece attached; metal hanging fixtures on back edge of sides. Hair inserted into evenly spaced round holes all along both sides.

Argillite figurative carving of Wasco, bear and a human; attached to small rectangular base. Wasco and bear are upright, back to back; bear is holding a human, upside-down, by the waist. Wasco has their head tilted back, and mouth open. Formline design elements on ears and fins; cross-hatching throughout negative space. Bear has incised lines across body, imitating fur; face is smooth. Human has their eyes and mouth closed, textured hair, and highlighted fingers and toes. Base is undecorated.

Frog brooch, that sits on a lily pad design glass base (part b). The cast gold frog (part a) has large circular eyes, and wide mouth and nose; the surface of the body is textured. Front legs are curved outward from front of body; back legs are partially bent. Back right leg is held close to body and back left is pushed out; all webbed feet are fully extended. Ridges carved in relief along back of frog. Body is hollow; brooch has a round hinge and safety catch clasp on back, extending diagonally from the frog's front right leg to back left leg. Inscription in underside of chin of frog. Base made of thick rectangular, light blue glass, with frosted top. Lily pad design carved into top right corner of holder, with ripples across entire surface; cut out for brooch in centre of lily pad.

Haida manga watercolour and ink painting. The painting is comprised of 18 separate, multi-coloured, story panels. Each panel shows several scenes in the story, in order, starting at the upper left corner. When all the panels are hung together in a rectangular configuration (6 panels wide x 3 high) they also form a larger image, united by a thick, black, painted line. (From the upper left corner of the image, l-r: parts a-f; middle row, l-r: parts g-l; lower row, l-r: parts m-r.) The artist signed each panel on the back and sketched out where it fits in the configuration.