Pencil drawing of a Northwest Coast style raven design, fitted to an elongated, rectangular shape, suitable for a bracelet, on a rectangular piece of paper. Head and beak are at the centre of the image and body and wings extend to the right end. There is an inscription written below the image.

Pencil tracing of a bilaterally symmetrical killer whale design on a rectangular piece of plastic film. Face of killer whale is at centre and body extends to each end. There are inscriptions written at the left and right ends.

Copper ornament of a whale with its body arcing at a 90-degree angle. Fins are rounded with top fin inclined slightly away from head and lower fin arcing slightly towards head. Tail is also rounded and has two prongs with scalloped design in the gap between them.

Watercolour storyboard panel with three different images. Across the top of the panel is a curved, largely defoliated landscape of trees, tree stumps, mountains and cacti. Bottom left features imagery of logs being fed on a conveyor belt into the open mouth of an anthropomorphized industrial building behind a barbed wire fence; a sign on the fence reads "Private Profit $". Panel's bottom right shows a grey silhouette of the same building with a 'closed' sign across it.

Watercolour storyboard panel. Upper portion of the panel is a blank area for text delineated by green curvilinear bands resembling Northwest Coast style formlines; a small bear's face protrudes form the band in one spot. Below this is a mountainous landscape scene on the right. To the left of this is a canoe with three figures on it, sailing through the trees.

Watercolour storyboard panel (part a) with several images. The main scene in the upper half of the panel depicts a woman holding a bear and falling from the jaws of a machine; a blue figure in a canoe watches. To the right the female and bear are shown falling into a canoe. The bottom of the painting shows a silhouette of three figures in a canoe flying over a forest. Part b is an alternate for the female and bear at the top and the bear on the right. The back of part b shows part of another painting.

Watercolour storyboard panel with several images. T main scene depicted is one of a large backhoe-like machine tearing at the ground. A bear runs away to the right. The bottom of the painting shows the same bear and a pink-haired woman, also shown twice, looking at the machine, frightened. They are on a green background. Part b is an alternate face for the bear in the lower half of the painting. The back of part b shows part of another painting.

Three pencil rubbings are on adhesive tape adhered to paper. The top image, of a woodpecker facing left, is narrow at the left end and widest at the right end. The middle image, of two dogfish on their backs facing right, is narrow at the left end and widest at the right end, both ends are rounded. The sea urchin design is at the centre facing right. Inscriptions at top of paper and above each image. Inscriptions on the top of each rubbing.

Pencil rubbing of three sea urchin designs on adhesive tape adhered to paper. Image is of uniform width. The corners of the edges are rounded. Three sea urchins are in the centre, on a cross-hatched S form background which extends the length of the image. Inscription at top of paper.

Pencil rubbing of various forms on plastic film adhered to paper. Image is widest at centre, tapering towards the rounded ends. Large ovoid is at centre with inner ovoid, eyelid, u and split u facing the right. Centre ovoid is flanked by symmetrical u and split u forms on either side. Ovoid, u and split u forms are featured throughout image. Inscriptions at top and at the bottom.