Storyboard-like panel drawn in pencil with parts outlined in burgundy pencil crayon; scenes are seperated by curvilinear bands. The top left shows a bear hanging a man by his hair out of a canoe. Beside this are three figures in a canoe with a building in the background. The lower right shows a close-up of the three figures. A few paint splotches and writing overall. The reverse is shaded with pencil.

Storyboard-like panel drawn in pencil with parts outlined in pencil crayon. Drawing shows a profile of a large angry bear face on the left. Two people are in front of the bear, looking scared. Below this are two people and bear with crossed arms in a canoe. The top of the painting shows two people in hats looking at a flying canoe. The reverse is shaded with pencil.

Storyboard-like panel drawn in pencil, highlighted with multicoloured pencil crayon. Panel is divided into three scenes: the top half shows several buildings and towers; the lower right shows a person with an insect crawling into his ear staring at a television-like screen bearing the message "Consume [and] be happy"; the lower left shows the backs of three figures, with the outside two each holding up an arm. The reverse is shaded with pencil.

Storyboard-like panel drawn in pencil with a few parts outlined and coloured with pencil crayon. The panel is divided into separate sections by curvilinear bands and lines. The main scene depicts a city scene with a person in a canoe above it. The top left shows a person's face. The bottom shows several people and half of a large face. The reverse is shaded with pencil.

Carved silver pendant of a thunderbird. The bird looks to its right and has its wings raised so they meet above its head. There is a small loop at this point. Inscription on back.

Print of a beaver. Face, ears, and midsection are heavily outlined in black. Face is shown frontally with black eyes, red nose mouth and jowls, and white teeth, the middle two being larger than the others. Arms and legs are red. Body has a face in it with crosshatching above. Signature, title, and edition number are below image in pencil. Two impressions at bottom left. Edition 19/225.

Artist's proof of shark print. Face is shown frontally with black eyebrows and pupils, red nose, mouth and sharp, downward pointing teeth, and blue-green around eyes and on forehead. Body is mostly black, with red and blue-green Northwest Coast design features. The arms and feet are outlined heavily in black and have Northwest Coast style faces in them. Inscription, signature, and date in pencil in lower left corner. Embossed in lower right corner.

Strip of silver held with wax ? to a block of wood. The silver is a long rectangle and has carvings on it. It is held to the wood with a greenish wax ? known as chaser's pitch. The wax ? is squished out from under the silver and covers much of the surface of the wood. The engraved design on the metal strip has an eagle's head as part of it. The back of the wood has a narrow strip of wood glued onto it. There is writing in ink on the back.

Storyboard-like panel drawn in pencil with parts outlined in orange and burgundy. Panel is divided into separate spaces for imagery by curvilinear bands. The top left shows two people talking. Below this a man stands at controls, and another man stands behind him with an insect in his open hand. The bottom right shows a circle with a map of Haida Gwaii (Queen Charlotte Islands) on it. The reverse is shaded with pencil.

Storyboard-like panel drawn in pencil with parts outlined in pencil crayon. Curvilinear lines divide the panel into separate spaces for related imagery: a large Northwest Coast style face in the lower right corner, with a smaller female face peeking out from behind; two people and a bear in a canoe above tree stumps; a fish swimming through water with many rocks. The reverse is partially shaded with pencil.