From card: "Slab of bark bent up and crossed with wood handle. Probably Bella Bella."

FROM CARD: "AN OVAL TAPERING PIECE OF PINE, DIVIDED LONGITUDINALLY INTO HALVES. THE HALVES ARE EXCAVATED SIMILAR TO 20,698 AND FITTED WITH A LARGE OVAL SEED MADE OF PINE. THE MOUTH PIECE IS REDUCED IN SIZE TO BETTER FIT THE LIPS. SHALLOW GROOVES ARE MADE IN THE OUTSIDE TO KEEP THE LASHINGS ONE OF SPRUCE ROOT. THE JOINTS ARE MADE TIGHT WITH PITCH OR GUN"Ian Reid (Heiltsuk) and Clyde Tallio (Nuxalk) of the delegation from Bella Bella, Bella Coola and Rivers Inlet communities of British Columbia made the following comments during the Recovering Voices Community Research Visit May 20th - 24th, 2013. It's a single reed with hide and spruce root binding. On the end it's sap. It has a red cedar chamber, spruce root, tan hide binding and burlap sack helping it hold the reed in place. The reed itself looks like red or yellow cedar. It might be pine, but not the chamber.

FROM CARD: "20576-8. ILLUS. IN BAE 3RD AR, PL. XIII, FIG. 21, P. 171." Description of mask in the publication cited above is on p. 116: "A well-carved modern mask, collected by J.G. Swan for the National Museum at Bellabella, British Columbia, near Milbank Sound; history wanting. It is carved of Alaska cedar, rather thick and heavy. The ears, nostrils, lips, upper forehead, bands around the face and across the cheeks are colored red; the eyebrows and irides are black. The remainder of the portions dark-shaded in the figure are blue, powdered while wet with triturated mica, which adhered when the paint had hardened. The surface of the wood is bare in some of the lighter-shaded portions. The eyes are not perforated, the wearer peeping through the nostril holes. This mask was held on by cords passing through its ears and around the nasal septum. The interior is soiled with red paint, which appears to have been rubbed off the painted face of the wearer. This is also evidently a festival mask, not used in connection with, or, at least, not symbolic of, ... totemic ritual."Illus. Fig. 25, p. 36 in King, J. C. H. 1979. Portrait masks from the Northwest Coast of America. [New York]: Thames and Hudson. Identified there as: "Northern Kwakiutl human face mask. A heavily carved mask painted black, red and blue, of unknown significance. The eyes are not pierced so that the wearer would have looked through the nostrils. It was collected in the 1870s by J.G. Swan at Bella Bella, British Columbia, c. 1850-1875.Clyde Tallio (Nuxalk) and Ian Reid (Heiltsuk) of the delegation from Bella Bella, Bella Coola and Rivers Inlet communities of British Columbia made the following comments during the Recovering Voices Community Research Visit May 20th -24th, 2013. This mask has eye orbs the same as the classic Nuxalk style.

From card for E23523-46: "Dec 20, 1972, Bill Holm says that these are definitely Haida."Cultural ID for paddles E23523 - 23546 is somewhat in question. They were catalogued as Clallam, Bill Holm has identified them as Haida, but James Swan in correspondence in the accession file references 24 Bella Bella paddles.

FROM CARD: "ORNAMENTED."

FROM CARD: "20620-1. SHORT HANDLES PLAIN."

FROM CARD: "ILLUS. IN USNM AR, 1888, PL. VI-5, P. 260 ILLUS.: HNDBK. N. AMER. IND., VOL. 7, NORTHWEST COAST, FIG. 8 TOP, PG. 124. INVENTORIED 1979."FROM 19TH OR EARLY 20TH CENTURY EXHIBIT LABEL WITH CARD: "COPPER BRACELETS.--MADE FROM A NUGGET OF NATIVE COPPER, BY COLD HAMMERING. KWAKIUTL INDIANS (WAKASHAN STOCK), BELLA BELLA, B. C. 20,627. COLLECTED BY JAMES G. SWAN."

FROM CARD: "MASK PROCURED FROM A HAIDA INDIAN ON THE SKEENA RIVER AND SAID TO BE TLINGIT (IF SO FROM THE TONGASS TRIBE BUT BELIEVED BY EMMONS TO BE HAIDA OR TSIMPSHEAN.) IF IT BE A TLINGIT MASK, AS WAS ALLEGED BY THE COLLECTOR, IT REPRESENTS THE SPIRIT OF THE WATER, IUAGUES LIVING UNDER THE SALT WATER. BELLA BELLA - BILL HOLM 3/1983. EXHIBIT HALL 9, 1987. IDENTIFIED IN EXHIBIT LABEL AS BUKWUS, BELLA BELLA. LOAN: R.H. LOWIE MUSEUM 12/31/1964, LOAN RETURNED FEB. 15 1966." FROM G.T. EMMONS LIST IN ACCESSION FILE: "THIS MASK WAS BROUGHT IN BY A HAIDA LIVING ON THE SKEENA RIVER AND WAS SAID BY HIM TO BE A TLINGIT MASK, WHICH REPRESENTED A SPIRIT OF THE WATER QUAGUES, WHICH LIVES UNDER THE SALT WATER. THE NOSE WOULD INDICATE IT TO BE AN EAGLE. IF IT IS A TLINGIT MASK IT MUST HAVE COME FROM THE TONGASS TRIBE BUT I BELIEVE IT IS EITHER A TSIMPSHEAN OR HAIDA MASK."Emmons indicates in letters dated May 27 and May 28, 1902, sent from Victoria, B.C., and filed in the accession file, that the masks in accession 39904 were purchased by him on those dates.Karen Anderson (Nuxalk elder)and Clyde Tallio (Nuxalk) of the delegation from Bella Bella, Bella Coola and Rivers Inlet communities of British Columbia made the following comments during the Recovering Voices Community Research Visit May 20th -24th, 2013. The mask is made of alder. The group questions the Tlingit attribution and thinks it could be from Bella Bella and/or a Nuxalk mask. Some of the group members believe it could depict a bear.

Listed on page 44 in "The Exhibits of the Smithsonian Institution at the Panama-Pacific International Exposition, San Francisco, California, 1915", in section "Arts of the Northwest Coast Tribes".