Carved and painted wooden figure. Pair with 2903/55; together the pair is a traditional wedding couple known as Loro Blonyo. This figure is the male, who wears a round gold and black hat with a pointed gold knob on top of it which sits just above his ears. The figure has two ears on each side: the top portion of the ear is very pointy and rests on a more human lower ear. His eyebrows and pupils are painted black. There is a round black bun on the back of his head. The man’s skin is yellow. He wears a blue jacket with wide lapels. The buttons and other detailing on the jacket are painted gold. His hands rest on his thighs. His lower body is enveloped in a red skirt with an incised pattern. The form and position of his lower body is obscured by the skirt but he appears to be in a seated position. There is a hole on the bottom of the object suggesting it is hollow.

Carved and painted wooden figure. Pair with 2903/56; together the pair is a traditional wedding couple known as Loro Blonyo. This figure is the female; her black hair is pulled back into a large bun and she wears a gold piece of jewelry in her hair. She also wears gold earrings and a gold necklace. The necklace is large and is a half-moon shape. Her skin is yellow. The woman’s eyebrows and pupils are painted black. Her coat is blue with three gold buttons in the front and gold arm bands. Her hands rest on her thighs. The woman’s legs are enveloped in a red skirt which obscures her legs from view, but she appears to be sitting. The object is very light weight with two holes in the bottom of the woman’s skirt, suggesting the object is hollow.

Shoulder cloth (selendang) made with warp ikat technique. Stylized crocodile, hook and lozenge geometric pattern in pink, turquoise and black decorates the central beige section which is bordered with alternating red, black and beige stripes. The short edges are unfinished and fringed.

Ceremonial women's wrap skirt. The two panels of hand dyed purple silk, hand-loomed with a discontinuous warp, are stitched together at a horizontal seam that runs across the middle of the skirt. The continuous and discontinuous supplementary weft of silver thread creates a band of triangular temple-like motifs along the bottom and one side edge of the skirt and several lines of silver stars within the body of the fabric.

Cloth fragment with a floral pattern of hand embroidery. Green, brown, gold, yellow, pink and coral coloured threads are stitched into a fragment of cream coloured fabric. Long edges are folded back and handstitched to the underside.

Cloth fragment with a floral pattern of hand embroidery. Silky threads of red, pink, brown, gold, white and several shades of blue and green are stitched into a cream coloured fragment of fabric. Long edges are folded back and handstitched to the underside, one side with the addition of a piece of seam binding.

Light grey, circular clay ceramic box (parts a-b). The body of the base (part a) has a slight taper at the bottom and a tall slightly flared foot. The outside edge of the rim is flat while the inside is raised and slightly rounded. The lid (part a) is domed with a few circular ribs surrounding a central triangular shaped knob. Both parts are detailed with faded black, blue and orange crisscross pattern along with vertical and horizontal stripes.

Small, tall cream coloured ceramic vase covered in a dark brown matted glaze. It has a small circular opening with a raised rim flanked by to small circular lugs. The vase has a pear-like shape with a tapered upper half; bottom narrows to a flat bottom. The sides are decorated with horizontal ribbed pattern.

Small clay vase. Small circular opening with a raised rim; body flares out wide then tapers into a narrower flat foot. The sides are decorated with a raised vertical scallop-like motif. Vase encrusted with white and brown accretions.

Bundle of split rattan. Light straw-like colour.