Long, thin rectangular textile with braided fringe on both short ends. Woven geometric patterns in beige colour on dark red background. Five panels, two with larger designs, and three smaller with repeating diamonds are separated by bright blue bands. Both sides are lined with black.

Long, thin woven textile that is heavily embroidered on one side. Both short edges have twisted fringe. At centre, a wide panel of red and grey, heavily embroidered with beige geometric designs. Along both long edges are smaller grey panels containing large overlapping zigzags, which creates a diamond pattern, with dots within each of the diamonds. There is a thin red band on either side of this panel.

Long, thin woven textile that is heavily embroidered on one side. Both short edges have twisted fringe. At centre, a wide band of red embroidered with beige X designs is flanked by two smaller bands of dark blue. On either side, are dark blue-grey panels each with a row of large embroidered cat-like and double X motifs. Along both sides is a smaller dark grey central panel with repeating embroidered X pattern, with even smaller dark grey panels of embroidered beige zigzags with dots within the spaces. These three small panels are divided by thin bands of solid red flanked by bands of solid dark blue.

Small rectangular woven textile with tassels along both short ends. The embroidered patterns are mirrored on either side of the textile, with an open dark brown-red section at centre. The patterns run horizontally across the textile in bands of repeating geometric patterns - zigzags, chevron, triangles and others.

Long rectangular textile with twenty-one squares of batik patterns or motifs, divided by navy blue bands. Each section is labeled with a name: Romogandrung, Parangsisik, Merakemas, Larasdrijo, Sokorini, Parangkusumo, Semenredjo, Parangbolodewo, Kestubo, Sidomukti, Parangtemplek, Gringsingbintang, Kladukmanis, Uretmanglar, Tjuirilombok, Udanriris, Kudotilarso, Semensawatgurdo, Sidoluhur, Parangbarong, Tjeplokketeblem.

Wooden carving of Rama and Sita (from the Hindu epic the Ramayana). Sita is shown partially sitting in Rama’s lap, turning torso and head to look back at him. Both wear elaborate winged headdresses and embellished clothing with pointed shoulder decoration. The pair kneels on a base of wood carved as natural scenery, rocks, and the suggestion of mountains. The back of the sculpture is carved with less depth than the front and sides, and has fewer embellishments.

Large dish with sloping sides and a slanting foot ring, is almost solely decorated in turquoise blue enamel combined with outlines in black on a thick, opaque white glaze. It is painted in the centre with a large roundel enclosing an Arabic inscription written with the characters forming a spiral, and encircled by double lines. The gently curving cavetto has eight smaller roundels enclosing Arabic inscriptions, alternating with individual words. Continuous Arabic inscriptions surround the large central roundel and the rim. The underside is glazed but undecorated.

Large wooden batik textile stamp. The base of the stamp is carved into two lines of four repeating patterns, showing an intricate design of a large oblong flower in the centre surrounded by foliage, and an enclosed border of vines. The top and bottom of the stamp have two straight lines of small dots. The stamp is made out of a thick piece of rectangular wood, with a wide rectangular handle on the centre back attached by nails. The piece shows traces of red dye on its base, sides and handle.

Container made of a gourd, rounded and oblong with a relatively wide, round foot. The gourd is covered with basketry, which is itself covered in a thick dark substance. The wooden lid (part b) is carved into 4 creatures, the top being a man with a long head and face, topped by a cylindrical hat. He sits on a horse with a stylized human face. The horse balances on a smaller two legged creature, also with a human-like face, who in turn balances on an even smaller creature with a human-like face, smiling. Beneath the four is the small, round lid and stopper that fits into the mouth of the container. The lid is partly covered by a shiny substance.

Carved and painted wooden figure. Pair with 2903/55; together the pair is a traditional wedding couple known as Loro Blonyo. This figure is the male, who wears a round gold and black hat with a pointed gold knob on top of it which sits just above his ears. The figure has two ears on each side: the top portion of the ear is very pointy and rests on a more human lower ear. His eyebrows and pupils are painted black. There is a round black bun on the back of his head. The man’s skin is yellow. He wears a blue jacket with wide lapels. The buttons and other detailing on the jacket are painted gold. His hands rest on his thighs. His lower body is enveloped in a red skirt with an incised pattern. The form and position of his lower body is obscured by the skirt but he appears to be in a seated position. There is a hole on the bottom of the object suggesting it is hollow.