« Tobacco pouches, particularly the roll-up variety, were frequently closed with the aid of fasteners which also served as pipe cleaners. There are 13 of these in the Speck collection and they are quite similar, consisting of a narrow piece of bone tapered or pointed at one end with a suspension hole at the other. Usually the neck constricts and there is a series of notches around the suspension hole. Another characteristic is parallel or crossed incised lines below the suspension hole. Typical examples are illustrated (fig. 9e,g,i-j). » Vanstone, James W. "The Speck Collection of Montagnais Material Culture from the Lower St. Lawrence Drainage, Quebec." Fieldiana. Anthropology. New Series, No. 5 (October 29, 1982), p.13, fig 9e, f, g, i, j (p.37).

« A large knife or cleaver is made from the leg bone of a moose. The bone is split in half at the distal end and has a beveled edge. Attached to this specimen is a shoulder strap of moose hide which is inserted through a hole approximately 5 cm from the proximal end (fig. 5a). According to Speck's notes, this knife was made to demonstrate what is done in the bush when metal knives are lost or no metal is available. » Vanstone, James W. "The Speck Collection of Montagnais Material Culture from the Lower St. Lawrence Drainage, Quebec." Fieldiana. Anthropology. New Series, No. 5 (October 29, 1982), Vanstone p.8, fig 5a (p.33).

« A specimen of glue has apparently been made from rendered sturgeon fat. » Vanstone, James W. "The Speck Collection of Montagnais Material Culture from the Lower St. Lawrence Drainage, Quebec." Fieldiana. Anthropology. New Series, No. 5 (October 29, 1982), p.13.

« A doll is made from strips of tanned moose skin stuffed with moss or grass and stitched together with thread. Features are indicated with dark red cotton thread. A hat and dress are made of red wool felt, and strips of blue tape are sewn around the arms and waist. Short lengths of blue and clear seed beads are sewn on the hat. A length of clear beads circles the waist. Short lengths of blue and clear beads strung on purple thread (fig. 32g) are attached to the waist. » Vanstone, James W. "The Speck Collection of Montagnais Material Culture from the Lower St. Lawrence Drainage, Quebec." Fieldiana. Anthropology. New Series, No. 5 (October 29, 1982), p.19, fig 32g (p.60).

« A large powder horn from Kiskisink is closed at the distal end with a piece of wood carved with circles and a cross, held in place with a pair of nails. At the proximal end is a wooden plug wrapped in a piece of cloth. The strap is a piece of heavy wool felt edged on both sides with cotton cloth (fig. 21a). » Vanstone, James W. "The Speck Collection of Montagnais Material Culture from the Lower St. Lawrence Drainage, Quebec." Fieldiana. Anthropology. New Series, No. 5 (October 29, 1982), p.12, fig 21a (p.49).

« Among the most highly decorated items in the Speck collection are six roll-up sewing bags used by women to hold needles, thread or sinew, and other sewing materials. All are approximately rectangular in shape and have three pockets or compartments. Since each is quite distinctive, they will be described separately. » Vanstone, James W. "The Speck Collection of Montagnais Material Culture from the Lower St. Lawrence Drainage, Quebec." Fieldiana. Anthropology. New Series, No. 5 (October 29, 1982), p.10, fig 18a (p.46). « The remaining two bags, from Lake St. John, are made entirely from cloth. » Vanstone, James W. "The Speck Collection of Montagnais Material Culture from the Lower St. Lawrence Drainage, Quebec." Fieldiana. Anthropology. New Series, No. 5 (October 29, 1982), p.11, fig 18a (p.46). « Less ornate is a bag of black and red wool felt ornamented with geometrically cut strips of purple, blue, and orange silk. The binding is of dark red cotton tape and there is a moose skin loop on the back near the top (fig. 18a). » Vanstone, James W. "The Speck Collection of Montagnais Material Culture from the Lower St. Lawrence Drainage, Quebec." Fieldiana. Anthropology. New Series, No. 5 (October 29, 1982), p.11, fig 18a (p.46). « Speck (1935, pp. 190-191) has noted that for the Montagnais, the symbolic pictorial representation of a plant or animal was equivalent to the actual plant or animal and those portrayed were believed to come under the control of the individual human spirit. Dreams played a major part in suggesting the relationship between specific animals or plants and an individual. The spirit was strengthened by having its dream promptings obeyed and success in subsistence activities was thereby assured. » Vanstone, James W. "The Speck Collection of Montagnais Material Culture from the Lower St. Lawrence Drainage, Quebec." Fieldiana. Anthropology. New Series, No. 5 (October 29, 1982), p.10.

« Among the most highly decorated items in the Speck collection are six roll-up sewing bags used by women to hold needles, thread or sinew, and other sewing materials. All are approximately rectangular in shape and have three pockets or compartments. Since each is quite distinctive, they will be described separately. » Vanstone, James W. "The Speck Collection of Montagnais Material Culture from the Lower St. Lawrence Drainage, Quebec." Fieldiana. Anthropology. New Series, No. 5 (October 29, 1982), p.10, fig 18b (p.46). « The remaining two bags, from Lake St. John, are made entirely from cloth. In excellent condition is a bag of black and red wool felt ornamented with embroidered floral designs in pastel colors. The edges are bound in blue and green cotton tape. There are rows of widely spaced pink and red seed beads around the inner edge of the binding and around the pockets. A loop of green silk is attached at the upper end (fig. 18b). » Vanstone, James W. "The Speck Collection of Montagnais Material Culture from the Lower St. Lawrence Drainage, Quebec." Fieldiana. Anthropology. New Series, No. 5 (October 29, 1982), p.11, fig 18b (p.46). « Speck (1935, pp. 190-191) has noted that for the Montagnais, the symbolic pictorial representation of a plant or animal was equivalent to the actual plant or animal and those portrayed were believed to come under the control of the individual human spirit. Dreams played a major part in suggesting the relationship between specific animals or plants and an individual. The spirit was strengthened by having its dream promptings obeyed and success in subsistence activities was thereby assured. » Vanstone, James W. "The Speck Collection of Montagnais Material Culture from the Lower St. Lawrence Drainage, Quebec." Fieldiana. Anthropology. New Series, No. 5 (October 29, 1982), p.10.

« Before the acquisition of breech-loading firearms, the Montagnais-Naskapi, like other Indians, used muzzle-loading percussion guns. These required the carrying of shot pouches, of which there are are five in the Speck collection. The size of the shot pouch was determined by the size of a hunter's fist, since he would be reaching in for a hand-full of shot (Speck, 1935, p. 213). Two pouches, both of which appear to have seen considerable use, are made of black wool felt, the seams being bound with cotton tape. Buttons are provided to fasten the flaps. One pouch, from Kiskisink, has a shoulder strap of the same material as the pouch (fig. 20b) [...]. » Vanstone, James W. "The Speck Collection of Montagnais Material Culture from the Lower St. Lawrence Drainage, Quebec." Fieldiana. Anthropology. New Series, No. 5 (October 29, 1982), p.11, fig 20b (p.48). « Speck (1935, pp. 213-215) notes that the period during which shot pouches were used most extensively corresponded with the availability, at posts of the Hudson's Bay Company, of beads and a variety of cloth fabric of different colors. Thus the pouches, which were made by women, became one of the most important vehicles for Montagnais artistic expression. As with other decorated objects made and used by these Indians, the designs on shot pouches served as the means by which the spirits of individual owners achieved control over game animals. » Vanstone, James W. "The Speck Collection of Montagnais Material Culture from the Lower St. Lawrence Drainage, Quebec." Fieldiana. Anthropology. New Series, No. 5 (October 29, 1982), p.11.

« Also associated with percussion firearms were cap pouches, which were large enough for the insertion of two fingers (Speck, 1935, p. 213). The collection contains three, all of which are highly decorated. » « The third cap pouch is made of wool felt and the trim is of red silk. The flap is held in place with a glass button and there is a simple floral ornament in red and green seed beads on the front. Around the edges and on the flap are rows of widely spaced blue and green beads (fig. 22f). » Vanstone, James W. "The Speck Collection of Montagnais Material Culture from the Lower St. Lawrence Drainage, Quebec." Fieldiana. Anthropology. New Series, No. 5 (October 29, 1982), p.12, fig 22f (p.50). « Speck (1935, pp. 190-191) has noted that for the Montagnais, the symbolic pictorial representation of a plant or animal was equivalent to the actual plant or animal and those portrayed were believed to come under the control of the individual human spirit. Dreams played a major part in suggesting the relationship between specific animals or plants and an individual. The spirit was strengthened by having its dream promptings obeyed and success in subsistence activities was thereby assured. » Vanstone, James W. "The Speck Collection of Montagnais Material Culture from the Lower St. Lawrence Drainage, Quebec." Fieldiana. Anthropology. New Series, No. 5 (October 29, 1982), p.10.

« Before the acquisition of breech-loading firearms, the Montagnais-Naskapi, like other Indians, used muzzle-loading percussion guns. These required the carrying of shot pouches, of which there are are five in the Speck collection. The size of the shot pouch was determined by the size of a hunter's fist, since he would be reaching in for a hand-full of shot (Speck, 1935, p. 213). » Vanstone, James W. "The Speck Collection of Montagnais Material Culture from the Lower St. Lawrence Drainage, Quebec." Fieldiana. Anthropology. New Series, No. 5 (October 29, 1982), p.11. « The fifth pouch is somewhat different, being made of heavy wool felt with seams bound with red cotton tape. On the inner edge of the binding are two rows of purple silk-wrapped cording. Instead of a shoulder strap, there are two loops for attachment to a belt. On the front is a floral design in red, white, blue, and green seed beads (fig. 20a). » « Speck (1935, pp. 213-215) notes that the period during which shot pouches were used most extensively corresponded with the availability, at posts of the Hudson's Bay Company, of beads and a variety of cloth fabric of different colors. Thus the pouches, which were made by women, became one of the most important vehicles for Montagnais artistic expression. As with other decorated objects made and used by these Indians, the designs on shot pouches served as the means by which the spirits of individual owners achieved control over game animals. » Vanstone, James W. "The Speck Collection of Montagnais Material Culture from the Lower St. Lawrence Drainage, Quebec." Fieldiana. Anthropology. New Series, No. 5 (October 29, 1982), p.11. « Speck (1935, pp. 190-191) has noted that for the Montagnais, the symbolic pictorial representation of a plant or animal was equivalent to the actual plant or animal and those portrayed were believed to come under the control of the individual human spirit. Dreams played a major part in suggesting the relationship between specific animals or plants and an individual. The spirit was strengthened by having its dream promptings obeyed and success in subsistence activities was thereby assured. » Vanstone, James W. "The Speck Collection of Montagnais Material Culture from the Lower St. Lawrence Drainage, Quebec." Fieldiana. Anthropology. New Series, No. 5 (October 29, 1982), p.10.