Painting with eyes of various colours. The right side has a multi-layered shape with the following from top to bottom: baby blue with a red eye outlined by a pointed purple-blue oval; green with a green eye outlined by a pink oval and a brown eye outlined with a wavy purple-blue line with white at either side; and purple with a green eye outlined by a tapering pink oval. The left side has nine more multi-coloured eyes. The background is spotted purple. Name in green pencil crayon, in the lower left corner, reads 'Parnee'. The painting is on a relatively square, brown paper piece.

At the upper right corner, there is a hunter, wearing black and orange, who has an orange harpoon in his right hand. Beside him on the left, there is a light yellow animal facing to the left side that has a grey fish or a seal in its mouth. Below the person and the animal, there are two big fish lying flat and facing to the left side. The top fish is horizontally striped with orange, brown, blue, brown, and orange. The bottom fish is vertically striped with orange and purple with black. In pencil, on the top centre, there are syllabics. The drawing is on horizontally rectangular off-white paper.

Three birds from the lower left to the upper right. Two birds are attacking a yellow, red, and black snake person which lies across the bottom. The birds are yellow, orange, purple, green, red, and black. In the upper left corner, there is a person bending over wearing yellow-orange, purple, and red clothing. In pencil, in the upper left corner, there is syllabic. The drawing is on a horizontally rectangular, light yellow paper piece.

Five human heads are depicted including one central orange figure who is depicted in full with the head in profile, the arms outstretched, and wearing a grey robe. Two blue and black frontal human heads are surrouned by orange semi-ovals at either top side of the central figure. Two blue and white human heads shown in profile on lower portion of print have a blue and purple animal ? or a red fish coming out of their mouths. Colours in between include blue, orange, yellow, purple, and brown.In the lower right corner, there is a small yellow image of a right pointing arrow emerging from a bulge pointing to pencilled syllabic. Pencil inscription across the bottom edge reads 'People and Grailing 31/50 1974' with artist and print maker's names and Baker Lake print symbol. Stone-cut and stencil print on vertically rectangular, off-white, hand-made paper. Paper is hinged on thin matboard and foamcore.

A mounted print of four creatures with tails. The top creature has a striped tail and fins, a zigzag patterned body, and a striped animal-like head with an open mouth and horns. Next, there is a creature with a striped body, fins, tails, and a bird-like head with an open beak. Then, there is a creature with a striped tail and fins with a zigzag patterned body, and a striped bird-like head with an open beak. Finally, there is a creature with a long striped body and fins with tails, and an animal-like head with an open mouth and horns. Pencil inscription across the bottom edge reads '49/50 1963'. Stamped with names of artist and printmaker in Inuit syllabics in monogram form. Canadian Eskimo Arts Council stamp of approval and Cape Dorset stamp blind embossed in the lower right corner. On reverse 'DNA 59 49/50 Sea beast Johniebo'. The print is on a horizontally rectangular, white paper piece.

Seven red birds in profile facing to the left side: three in the middle row with two more above and below. Syllabics in left hand corner. Pencil inscription across the bottom reads '41/50 Red Birds Stone Cut Sharni 1964'. In the lower right corner, there is an double geometrically curved stick-like figure embossing. The print is on horizontally rectangular off-white paper, hinged on off-white matboard.

Two side by side frontal images of a black and white human head peeking out of sleeping skins that are yellow-brown with red-brown trim, a dake green under covering and a yellow undercovering. In the lower right corner, there is a small yellow image of a right pointing arrow emerging from a bulge pointing to pencilled syllabic. Pencil inscription across the bottom edge reads 'Sleeping in Skins A/P III/V 1970 Eeyeetowa Makpa, Martha Noah'. The print is on horizontally rectangular white paper.

Boy's outer coat, or parka, of brown caribou fur. The coat has a rounded close fitting hood, the crown is slightly pointed. The coat is thigh length and has a slit in the middle of the front. The hood, bottom and split are trimmed with white caribou fur. Groups of fringes are attached to this white trim along the bottom. A brown fur mitt trimmed with a broad band of white fur is attached to the right sleeve. (Note: photo shows inner and outer coats together, A2.514-15.)

Print depicting three figures: an Inuit man holding an object in his hands, an Inuit woman with a child that appears to be Caucasian in her parka, and a Caucasian man. Below the print is written, "Whaler's Exchange Lithograph 8/50 Dorset 1989 Napachie" with the artist's name written in Inuit syllabics below the Roman letter version. The printmaker's name is printed with the Cape Dorset stylized red igloo seal at the left-hand corner. The Canadian Eskimo Arts Council and Cape Dorset Cooperative blind embossed stamps are in the bottom right-hand corner.

Seated drummer wearing boots, short pants, and a mask with two slits for the eyes, as well as several holes in lines that run horizontally out from the nose, and radiate out from the mouth. He is holding a drum in his left hand and a drumstick in his right hand. Below the image is written, "Masked Drummer Stonecut & Stencil 3/50 Dorset 1989 Kananginak." The name of the artist(?) is written above the printed name of the printmaker(?) along with the Cape Dorset stylized red igloo at the bottom right-hand side of the image. The Canadian Eskimo Arts Council blind embossed stamp is in the bottom right-hand corner.