Model kayak made of skin, stretched over an internal wooden structure (part a). Strip of antler(?), secured with wooden pegs, lines front keel. Ends of kayak are capped with oval-shaped pieces of ivory(?). Two sinew rigging lines in front of the high-walled cockpit, and one behind. Two ivory fasteners attached to each line. A double-bladed paddle (part b), spear (part c), harpoon (part d), harpoon line rest (part e), and two tools (parts f and g) are separate. The paddle, spear, harpoon and harpoon line rest are made of wood with antler blades (parts c and d) and reinforcement components (parts b, c and e). The two tools are made of antler. The largest (part f) is flat with a straight handle and a curved tapering end. The smallest tool (part g) has a rectangular handle, with triangular indentations along the bottom edge, and a thin pointed tip.

Long, thin scoop-like ladle made of antler. Shallow bowl has steep sides and curved ends. Handle is rectangular and angles upward. Two holes drilled through centre of handle with strip of hide looped through, forming a hanging tie. Bowl and back of handle have been polished; front of handle is rough, showing core of antler. Previous repair work below hide tie. Small metal plate has been riveted to front, covering a large crack visible from the back.

Model kayak carved from antler (part a). Small figure (part b) sits inside cockpit, wearing a hooded parka. Eyes and mouth are incised, nose carved in low relief. Arms are held straight in front of body. Small notches along centre edges of hands to hold a separate double-bladed paddle (parts c and d; paddle is broken). Back of figure is polished; front is rough and dark grey, showing core of antler. In front of the figure, two harpoons are tied to the kayak with white fibre. Animal-shaped harpoon rest, with holes drilled along its length, in between them. Ends of kayak are carved in low relief.

Carved tupilaq (tupilak). Standing human-like figure with a pointed head, oval-shaped eyes and black inlay pupils. Numerous deeply incised lines across face. Nose is flat with deep flaring nostrils. Figure has wide open mouth, full of square teeth. Circular gaps between teeth and edges of mouth. Chin juts out. Long arms are leaning onto a square-shaped face with similar features. Figure’s legs and the head form base of sculpture. Vertical lines incised along hand edges, imitating fingers. Label adhered to back of figure.

Carved tupilaq (tupilak). Cone-like sculpture with a human-like face overtop of a walrus-like head. Legs of human and tusks of walrus form base. Human has circular eyes, with black inlay, and deep circular nostrils. Has a wide open mouth, full of square teeth. Sets of three incised lines across cheeks, nose, and overtop eyes, imitating eyebrows. Curved depression divides the two faces. Walrus has circular eyes, with black inlay, and small nostrils drilled into surface. Incised horizontal lines between eyes, two sets of diagonal lines extending from corners of eyes. Semi-circular line between nostrils and eyes, outlining snout. Small depression between nostrils. Entire back surface of sculpture is flat. Interior is hollow.

Stonecut print of eight hunters pulling a sled. Four hunters are holding onto the sides of the sled, two on either side, and three are pulling it forward with a single cord. The four holding the sled have their backs turned, three pulling are facing left. The eighth hunter is standing alone in the foreground. All are wearing parkas, with the hoods up, short pants, and tall boots. The clothing of the seven with the sled are plain black. The eighth hunter has white trim along the parka cuffs, and bottom edges of the parka and pants. Along the bottom edge of the print the title, technique, edition number, place made, date and artist signature are written in pencil. Signatures, in syllabics, with Cape Dorset Co-operative symbol stamped in bottom right corner. Canadian Eskimo Arts Council blind-embossed stamp below Cape Dorset Co-operative symbol. (Print is taped to board backing.)

Drawing of two rows of forward facing humans, that extend upward from two wide orange and green bands. Top row of humans is depicted from the shoulders up, bottom row from the waist up. Six humans along the top are wearing snowsuits and have identical facial features and tattoos. Eyes are oval-shaped, noses are long and thin, and mouths are open and oval-shaped. Tattoos are linear. There are three horizontal lines across the nose; three lines radiate out in a fan-like shape from the bottom of the mouth; and three lines on each side radiate out from the top of the nose across the forehead. Designs are done in black. Seven humans along the bottom are wearing snowsuits and have identical facial features. Eyes are oval-shaped, noses are long and thin, mouths are open and oval-shaped, and beards are triangular. Features are done in black, blue and dark green. Snowsuits of all humans are dark blue, blue, green, grey, orange and lavender. Syllabics written along the bottom centre in dark green. Pencil inscription on back, in bottom right and left corners.

Stencil print of spears and hooks. Row of seventeen orange spears, pointed down, overtop a row of twenty dark brown hooks, pointed up. Rows divided by a wide green line. In the bottom right corner of the print the title, signatures, edition number and date made are written in pencil. Signatures, in syllabics, with Baker Lake symbol stamped next to pencil inscription. Canadian Eskimo Arts Council blind-embossed stamp in bottom right corner. Pencil inscription on back, in bottom left corner.

Stonecut and stencil print of a woman with a sealskin tent. The tent is partially assembled with one pole secured and the roof hung overtop. Roof consists of dark yellow and black sealskins stitched together. The woman is standing to the right of the tent, attaching the poles. She has braided black hair and is wearing a white parka, light grey pants and large boots. The parka is long-tailed, with black trim along the hood, and is outlined in dark yellow ink. There are black rocks across the base of the tent. Along the bottom edge of the print the title, technique, edition number, place made, date and artist signature are written in pencil. Signatures, in syllabics, with Cape Dorset Co-operative symbol stamped in top right corner. Canadian Eskimo Arts Council blind-embossed stamp in bottom right corner.

Serigraph print of a husband and wife. The woman is seated on a raised platform inside a dark blue structure. She is wearing a blue and white striped dress with a red border along the bottom edge. Her child is on her back, held in place with a red and blue cloth. One of her arms is held out, offering a black bucket to her husband. The man is standing in the entryway of the structure. He is wearing a blue and white striped shirt, red pants and red boots. His left hand is reaching for the bucket, his right is holding a ladle(?). In the background, above the couple, is a small figure wearing a black shirt and red pants. He is bent over, balanced on one foot, and reaching towards the woman. In the bottom right corner of the print the title, signature, edition number and date made are written in pencil. Signatures, in syllabics, with Baker Lake symbol stamped next to pencil inscription. Canadian Eskimo Arts Council blind-embossed stamp in bottom right corner. (Print is taped to board backing.)