Light grey, flat stone carving of a face. Head is oval-shaped with finely incised lines across the front and back; lines carved deeper on back. Deeply drilled circles imitate eyes, with angled depressions next to them; straight eyebrows incised above. Nose is long and rectangular, and carved in relief. Sloped channel in centre of face imitates mouth; bottom lip carved in relief.

Pencil drawing of six large animals and three small ones in horizontal rows, all facing left. Top three rows are of individual large animals, bottom three are of a smaller animal in front of a larger. From top to bottom, left to right, the animals are: walrus, polar bear(?), reindeer, seal and whale, seal and polar bear(?), and seal and reindeer. Pencil inscription on back, bottom left corner.

Stonecut print of two kayaking men. The men have dark hair and are wearing hooded parkas. Both are using double-bladed paddles and have three black bundles on the back of their kayaks. A man-like monster is swimming under the water, on the left side of the print, and pointing up at one of the kayakers. He has long hair and is wearing a long-sleeved shirt, pants and tall boots. On the shoreline, a woman is depicted exiting a light yellow-brown tent. She is wearing a hooded, long-tailed parka and tall boots; she is holding a pouch(?). In front of her tent is a fire pit with a pot over it; jagged clouds of black smoke(?) surround it. A large bird is flying along the right side of the print. Water is dark brown-black with white dashes throughout; shoreline is dark red-purple with white spots throughout. Along the bottom edge of the print the edition number, a syllabic inscription and date are written in pencil. Diamond-shaped blind-embossed stamp in bottom left corner.

Stonecut print of four people dragging three seals into a tent. Figures are all wearing hooded parkas, trimmed with fur, and tall boots. Figure in front centre is bent over and holding a rope, attached to a seal, and figure on left is holding an ulu knife. Tent consists of dark yellow and black sealskins stitched together; circle of black rocks around base. Two lines extend from either side of tent, supported by central poles of tent and separate ones staked into ground outside. Dark red skins are hung over the lines and poles; harpoons lean against the side of the tent. Along the bottom edge of the print the title, technique, edition number, place made, date and artist signature are written in pencil. Signatures, in syllabics, with Cape Dorset Co-operative Symbol stamped in bottom right corner.

Stonecut print of a camp. Scene consists of four igloos with eight figures and two dogs. There are three igloos in the background and one in the foreground; back igloos are in a row, front igloo in centre. The igloo on the left side of the print has walls extending outward and connecting it to the igloo in the foreground. All of the figures are wearing hooded parkas, mittens and tall boots. Four figures are in the background, on top of and behind the igloos, holding tools. One figure is sitting, hunched over, in the entrance to the igloo on the left. Another figure is on their knees, holding a fish, in the entrance to the igloo in the foreground. In between the two sitting figures is a dog. On the right side of the print a woman is standing, with a baby strapped to her back, and holding a pole with three fish speared on it. The second dog is standing on its hind legs, next to the woman, attempting to eat the fish. There is a sled in the upper right corner of the print, behind an igloo; hunting equipment in the bottom left corner. Along the bottom edge of the print the title, technique, edition number, place made, date and artist signature are written in pencil. Signatures, in syllabics, with Cape Dorset Co-operative Symbol stamped in upper right corner. Canadian Eskimo Arts Council blind-embossed stamp in bottom right corner.

Stonecut print of two geese and a nest. One goose, done in black, is standing overtop the nest; second goose, done in dark brown, has its back turned to the first and its head bent to the ground. Both have their wings spread. The nest has three eggs in it and is done in green and yellow; ground done in same colours, with white spots throughout. Along the bottom edge of the print the edition number, a syllabic inscription and date are written in pencil. Diamond-shaped blind-embossed stamp in bottom left corner.

Carved tupilaq (tupilak). Hunched human-like figure has pointed head with partially closed, circular eyes and black inlay pupils. Curved incised lines over eyes, imitating eyebrows. Nose done in relief with deep flaring nostrils. Figure has wide open mouth, full of square teeth. Chin juts out. Long arms and bent legs form base. Vertical lines incised along hand edges, imitating fingers. Head and chest are hollow. Label adhered to lower back.

Carved cribbage board (part a) with four pegs (parts b-e). The board is carved with a row of animal figures and animal heads along the top. At one end is a full bear-like figure, facing outward; then three bear(?) heads, one facing the rump of the bear, the other two facing each other, muzzle to muzzle; then a full seal lying on its stomach; then a full walrus carved on its back, at the other end. All the animals have black inlaid baleen eyes, and each one has a red mouth; the walrus also has black inlaid dots representing whiskers. The board has 60 holes - each set of ten, in two columns of five, is outlined in black. The board has been broken into several pieces and reglued. The pegs are very long and taper at one end. The small rectangular wooden box (part f) is unlined, and has a small clasp at front, centre.

Dog whip made of sea mammal hide, with a wooden handle. The handle has a notch around the bottom with a strip of skin threaded through, and secured at the other end through a hole. The top of the handle is a combination of skin tied together, and being wrapped. On one side, there is a large rounded notch. From the handle, the whip is composed of many layers of skin that are stitched together, with the whip becoming increasingly thinner as it progresses towards the tip. The skin is knotted close to the tip.

Lithograph print on rectangular, off-white paper. Close up design of avataq, sealskin float, in portrait orientation. Float done in light yellow. Front flippers have jagged black line across them, depicting fur, and claws. Long tie, done in light yellow, looped around back flippers. Tie disappears under body and appears again on right side of float, curled in a circle. Majority of body covered in black abstract, curved triangle designs. Bright red syllabics overtop of embossed bird-like figure, in bottom right corner. Syllabics handwritten in pencil overtop of embossed symbol of the West Baffin Eskimo Co-Operative, in bottom left corner. Beneath avataq design is the title, print type, edition number, 10/50, year and artist signature. All handwritten in pencil. “08-2” handwritten in pencil on back of print, in bottom left corner. Faint imprint of words, and an infinity symbol, on back of print, in bottom right corner.