Walrus tusk crochet hook with 16 small plastic inlay circles in orange and green. Small hook at one end, the other end is thicker and carved in the shape of a bear(?) head, with green inlaid dots for eyes. In the next section a thinner bear head is carved, facing a different direction from the first one, also with green eyes. Hook is unsigned.

Exhibited on female mannequin at Chicago World's Fair of 1893. See National Anthropological Archives Manuscript # 7217, entry on Figure No. 8, where it is listed (and exhibited) as same number/forming a set with # E1701 parka.From card for ET1611 (written before it was known that this was part of catalog number E1701): "Brown deerskin pants, low-slung, with wide cuffs of white caribou fur. Bottom of leg edged with narrow brown and white strips, and fur fringe. Tassels of fur running lengthwise down front of each leg. Tag reading "Chicago #8, 1701-2967". Writing on inside, partially worn off, indicating this is part of MacFarlane collection. Loan [with temporary catalog number ET1611]: Crossroads Sep 22 1988 - returned from loan 6-25-91. Illus.: Crossroads of Continents catalogue; Fig. 41, p. 42."Formerly tracked with temporary number ET1611, because the correct catalog number was unknown at the time. A tag in the trousers says "Chicago #8, 1701-2967", which seems correct. Museum catalog number 1701 (or E1701) was field number 2967 (the ledger book confirms this) which was a woman's parka and pants exhibited together as a set at the Chicago World's Fair (according to National Anthropological Archives Manuscript # 7217, entry on Figure No. 8). Catalog number 1701 has long been missing the pants -- possibly since the ledger entry was written, since it makes no mention of them and has a count of 1 (in other words, the pants were missing or overlooked during cataloging). The existence of pants is mentioned in the notes on the catalog card, but only the parka was found during the 1975 inventory and 1980s move to MSC. Meanwhile, this pair of pants was found, but there was confusion about which number it belonged to (1701 already being accounted for with the parka) and so it was temporarily tracked as ET1611. As of now, it seems pretty certain that this is part of catalog number 1701, and so it is being tracked as # E1701-1.

Identified as a graver based on resemblance to other gravers in the MacFarlane collection. See Inuvialuit Pitqusiit Inuuniarutait: Inuvialuit Living History, The MacFarlane Collection website, by the Inuvialuit Cultural Resource Centre (ICRC), Inuvik, N.W.T., Canada (website credits here http://www.inuvialuitlivinghistory.ca/posts/12 ), which has general information on gravers here: http://www.inuvialuitlivinghistory.ca/item_types/27: Gravers with iron tips held in bone and antler shafts were used for engraving designs on ivory, bone antler and wood.

Rectangular box; no top/lid present. Card indicates this is Inuit made.E7830 is listed, but not described or analyzed, in Inuvialuit Pitqusiit Inuuniarutait: Inuvialuit Living History, The MacFarlane Collection website, by the Inuvialuit Cultural Resource Centre (ICRC), Inuvik, N.W.T., Canada (website credits here http://www.inuvialuitlivinghistory.ca/posts/12 ), entry on this artifact http://www.inuvialuitlivinghistory.ca/items/136 , retrieved 2-11-2020. General information on boxes available here: http://www.inuvialuitlivinghistory.ca/item_types/12: The MacFarlane collection contains a variety of wooden boxes. Boxes carved from single pieces of wood, and boxes with sides made from bent pieces of wood with bottoms pegged to them, are traditional Inuvialuit forms that were used for storing tools and other objects. Boxes with separate pieces for each side, bottom and top identified in the Smithsonian Institution's artifact catalogue as 'Packing Box Made by Esquimaux' may have been commissioned by MacFarlane for packing artifacts that were sent to the Smithsonian.

Carved stone caribou (part a) kneeling on all fours, with legs tucked underneath the large body. The caribou is facing forward with rounded ears back, eyes squinting, and mouth slightly open. Both antlers (parts b-c) have been broken off above their attachment points.

Carved stone dog in seated position. The figure has an open mouth with an inset pink tongue, a large slightly curled tail, small rounded ears, and etched eyes and whiskers.

Small fabric outer parka with a wool inner coat. The exterior is grey-tan fabric with high cut sides and a long back flap. Dark green, dark blue, and red zigzag trim edges the hem and wrists of the outer coat. The hood is edged with fur, and a bright green, bright orange and black plaited tassel hangs from the top. The inner coat is made of off-white wool fabric with similar trim to the outer coat. Both sides have an additional triangular pouch.

Crocheted yellow hat with wide upturned brim. Near the top are three concentric red rings, and there is a wide red band around the brim with a repeating yellow design within. The yellow yarn ends at the top are partially plaited with a fringe at the end. The pattern alternates between a tight and loose crochet.

Two carved stone figures (parts a-b), pegged onto separate stone base (part c). The larger standing figure (part a) holds a knife in each hand (parts d-e), while the smaller figure (part b) appears to be falling backward towards the ground while clutching their chest with their left hand.

Carved stone bear (part a) with inset teeth. Stands on a rectangular stone base (part b) with two wooden pegs. The bear's forearms are bent, and mouth is open and baring its teeth.