Circular, metal sword guard with triangular hole at centre, ovoid hole to one side, and three-lobed hole to other side. Low relief openwork design depicting a man holding a pike, with copper face inlaid and robe patterned with gold overlaid in zigzags, waves, pinetrees, mountain forms overlaid with gold lines, and a pagoda which is similarly overlaid. The reverse displays back views of all of the motifs seen on the front, and characters are incised on the back of the seppa dai. Nakago ana adjusted with metal inserts. Open kodzuka and kogai. Characters incised on seppa dai.

Oval metal sword guard. Guard is smooth and has a patina; polished shakudo seppa dai; open kodzuka and kogai. Front: man in sunken relief sitting right centre under a tree. He has face of inlaid copper, hat, sleeve, and knee of overlaid gold. He is reaching toward head of a writhing fish-dragon gazing up at him. The fish dragon's body is coiled and reappears at the top of the guard. Back: incised cloud forms with touches of gold overlay.

Four-lobed form with irregularly hammered background. Has an overall patina; nakago ana has chiseling and copper insert for adjustment to the blade; open kodzuka, no kogai. Front: at bottom in high relief a leopard looks upward to a bamboo in low relief growing up the right side and across the top; leaves overlaid with gold. Back: at bottom centre, several broad curved gouges and a series of dots suggest leopard's claw and pad marks; two gold and copper spots inlaid.

Reclining man with shoulders resting on two jugs with his right foot on top of his left knee and his head resting on his hand. He is wearing a flowing robe, long beard and a cap. There is a small chip at his right knee and at his elbow.

Hook (part c) attached at the end of a long pole (a). Pole is an elongated tube; one end is closed with an iron ring attached through a hole; a three dimensional iron fish is attached by a chain to a protruding, curved piece of iron attached at the open, bottom end of the pole. An iron rod (part b) projects from the bottom, open end of the tube, impaling the metal fish through the head; an iron hook (c) is suspended from a knob at the end of the rod (b).

Oval-shaped metal sword guard with triangular hole at centre and ovoid hole to one side. Low relief depiction of a male figure with a hat and sword in profile on one face. The figure's face is copper inlay, the beard is incised, and the hat is gold inlay. Incised tree with one branch on reverse. Made of shicuichi (bronze and silver alloy), open kodzuka, no kogai.

Richly gilded jar with image of funeral procession on side. Lid is mostly gold with abstract floral pattern and knob. Four characters marked in gold on underside of base.

Rectangular metal sword guard with low relief design of prunus trunk that grows from lower to upper right on face with spreading branches and has copper highlights inlaid. The reverse has a design of one prunus branch. Nakago ana, four chiselled adjustments; open kodzuka and kogai.

Oval, metal sword guard with four-lobed edge, triangular hole at centre, and ovoid hole to side of centre. Surface slightly raised above rim on both sides, overall brown patina, lightly hammered background. Low relief design of a farmer with overlaid gold clothing standing on a road and holding a rope that is attached to a bronze inlaid water buffalo with overlaid gold bales on its back. The buffalo stands in shallowly incised swirls of water with gold and copper water plants. At top an incised line of mountain peaks with three inlaid copper snow drifts. Back: at bottom left an incised swirl of water, scattered with copper blossoms. Open kodzuka, no kogai.

Four-lobe shaped metal sword guard with raised gold rim, nanako (minute raised dots) background; seppa dai of highly polished shakudo, unsigned, shows chiseled adjustment marks; open kodzuka, no kogai. Front: pattern of chrysanthemums, cherries, and butterflies, in low relief overlaid in gold, stems in polished shakudo. Back: similar pattern.