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The light brown rectangular stencil has cut design of elongated vertical flowers. There are three flowers and three long pointed leaves representing water plantain or arrowhead plant. The method of cutting the design was thrust punch.
The rectangular stencil has cut designs of maple leaves, diagonal lines representing branches and six pairs of dots and two single dots. There are register points which may be part of the design.
Silk rectangular sash with unfinished edges on narrow ends; weave creates repeating flower and leaf pattern on alternating horizontal red and black lines and tie-dye spots. Pin-wheel pattern at centre, graduated sizes in triangular form; each wheel consists of five black circles joined to small black circular centre by grey bands, five radiating grey spokes extend from centre beyond pin-wheel.
Pale green-gray sanwa kōrai-yaki (三和高麗焼) porcelain bodied jar on single ring foot. Squat compressed spherical shape, lentoid in transverse cross-section, contracting to mouth, with rim turned slightly outward. Orange biscuit exposed around foot. Thick crackled and transparent grey-green glaze. Inlaid on upper surface are three sets of two cranes facing opposite directions, in black and white enclosed by white circle. Between circles are three small white irregular designs.
White bodied porcelain plate on low single ring foot; plate is round and concave. On underside are painted in underglaze blue, 1 of the 8 Chinese treasures (stone chimes), painted 3 times, alternating with 1 of 8 Buddhist emblems (conch shell). On upper surface is central floral design surrounded by ring of alternating triangles filled with flowers. Remaining surface is covered with 3 rows of medallions with flowers, phoenixes and dogs. All in light and dark blue, red-orange, blue-green, light purple and light orange. 2 character mark 'Tsuji sei'.
The rectangular stencil has a cut design of an overall, circular, interconnecting pattern of five complete and four partial wisteria motifs. A fan shape is cut out in one corner. One register mark is located in each quadrant.
The rectangular stencil has a cut design of three stylized chrysanthemum and three naturalistic chrysanthemum motifs, surrounded by scroll design interspersed with leaves. Two register marks are located on the long sides of the design.
The rectangular stencil has a cut design of small plover birds interspersed in an overall cloud design. Two register marks are located on the long sides of the design. Fan shaped hole is cut in the lower left corner of stencil. Entire front face of stencil has traces of Japanese script with paint stains on both faces.
The dark brown rectangular stencil has an overall komon cut design of repeated stars, flowers and dots. Two register marks are located along the bottom edge of the design.
The rectangular stencil has an overall komon design of interlocking trefoil pattern. Register points are located along the edges of the design.