Textile depicting butterflies and birds among a floral design, all in red, dark blue and off-white on a brown ground, with a floral border in red, dark blue and off-white.

Rectangular cotton batik with blue pattern on white ground. Two patterns, one a third of textile. Pattern near one end has wide band of blue diamonds and triangles with flowers in them, bordered on two sides by maple leaf and cock motifs. The other pattern is of leaves and vines and smaller flowers on vines. Entire textile is bordered with vine motif.

Batik sampler. Textile has 24 named floral and geometric designs in three horizontal rows of eight. Most designs are blocked out in diagonal sections, some in squares and a few others in alternating rows of elements, Many are geometric floral decorations. The designs are divided by black borders with a repeated brown and off-white triangle motif at the edges and a black and grown four-pointed flower-like motif in an off-white square.

Hollow brass gong cast in one piece with an open base and sloping sides rising to the raised top surface with a knob at the centre. Four holes on the hammered bottom edge are at right-angled intervals. Two holes on the edge of the sides and top have twisted red cord and tassels. There is a white sticker with '3 a' written on it on top of knob inside the gong. There is also a label with 'C. Hedemann' printed on it and the numbers '164' in white paint in centre of knob. A six or seven digit number is scratched on the object.

Wayang kulit (shadow puppet) Gunungan (mountain) or kayon (tree of life). Leaf-shaped filigree-cut leather object tied between stick split lengthwise with 3 carved bands at base and tapering handle. Base of leaf tapers out and into point at top. Light blue pedestal design at base, ends curled up; topped by upturned row of floral motifs. Oval enclosures in centre flanked by 2 large curved wings. Tree trunk grows from oval supporting rosettes, symmetrical sets of branches with 4 monkeys. Six birds in various positions between. All colours pale. Number on base (29-1919 ?) and inscription 'Bakoendean'.

Puppet depicting a stylized, flat male figure with long handle that has a pointed metal tip at end. Parchment arms attached on either side of shoulder by string with control stick attached to one hand. Figure in three-quarter view. Songkok with red and gold cap shows traces of green, white, red and gold paint. Eyes round, long curling lips, moustache and small beard. Two rows of small teeth. Clothed in close-fitting long-sleeved jacket with carved ruffled edge and traces of red and yellow paint. Blue paint on apron. Sarong patterned with white in checkered motif, traces of red and green, with 1.6 cm border along bottom and front showing traces of blue and gold paint. Three-fingered gold hands held with wrists flexed. Legs are gold, held close together. Clog-like shoes with remains of red paint.

A carved flat wooden puppet with leather arms. The red face, in profile, has a blunt nose with a large eye that has a red iris. Protruding teeth are in the upper jaw while fangs are extending from both the upper and the lower jaw. Black hair. Headdress with diadem and ear ornament. Polychrome and gold-colouring are dominant throughout the figure which is accented by blue, red, green, and white. Intricate cut-out design on the skirt which is held on by string and wire. Moveable arms are jointed at the shoulders, elbows, and wrists. Sticks are attached to the hands for manipulation.

Flat shadow puppet has smooth black hair and a large ear. The forehead extends into the snubbed nose, resembling that of an elephant. Brown face with large red lips and one white tooth. Slanting eyes with red iris and black pupil are cast in a upward gaze. Curving black eyebrows, eyelashes, and moustache are unusual. Mouth extended, slightly open, above a double chin. The jacket collar is pink, bordered by a series of seven black and white circles with red centres. The black and white checkered tunic has a dot and dash design with a green belt covered with a black wavy pattern. The sleeves bell at one wrist. One arm is in two sections, the hand of the lower arm holds a rattle. The second arm is detached and has a protruding finger or thumb. The skirt, with a predominant design of black and white circles and diamonds, has green leggings beneath. The shoes on the red base are black. The shoulders and elbows are rotatable and a marionnette stick is attached through the palm of each hand.

Flat wooden puppet. Wearing a crown with three ridges at the front and two projections above the Garuda at back. Red face has black pupils encircled with gold and white teeth in sets of upper and lower fangs. A fringe of black hair below the crown is gathered into a pony tail. The figure also has a beard. The crown is red, green, and black with some white. The puppet has a wing on the back. The bare chest is decorated with green, red, and white ropes. The waist is narrow. Arm at the waist is holding a sword. The split skirt of green, red, and white with black detail is gathered in a ruffle. There is a red and white waistband with a Garuda on the right. Tail is visible between the large, widely spread feet.

Shadow puppet depicting male figure with handle that splits just below the feet and extends up the body of the puppet on both sides, to the face. Moveable arms, each with a control rod attached. Linear detail of clothing and face perforated through the skin. Red and green songkok, gold-leaf sumping, red face, long eyes upturned, large nose, thin moustache, black tunic and shoes, green and red sarong. Wrists are flexed.