Round, slightly squatted bowl (a) with lid (b). Lid has raised ring at centre with incised circular floral design outlining what appears to be a yin-yang symbol; outer lid is incised with four evenly-spaced circular designs, three of which appear to be characters and the fourth is floral; four smaller designs are evenly-spaced between the four main designs.

Short, round bowl; yellow-gold in colour; turning marks visible on inner surface. Unmarked

Paper maché face mask with white face and no hair. Eyes and eyebrows are in black, and there is a small, oval-shaped mouth with rounded corners and red lips. Mask is attached to a white head cloth with straps at back. Inscriptions on inside.

White face mask with black net headdress over crosshatching on the forehead. The eyebrows, beard, and moustache are in white fur. There are black outlines around the eye sockets, black and gold outlines around the eye holes, and two recessed red lines running down the nose through the nostrils to the mouth. Black head cloth, band of black elastic, and fabric ties attached at back of mask.

White face mask with white fur eyebrows, moustache, and beard. There are two black wrinkles (lines) on the forehead and three ridges. There are black outlines around the protruding eye sockets, as well as black and gold outlines on the eye holes. Black head cloth and ties attached at back of mask; inscriptions on inside.

Man’s jacket of shiny white fabric. The jacket is waist-length and flares slightly from the top. The centre opening has inset panels on both sides that overlap when the garment is worn. The deep V neckline is edged on the outside and inside with facings. The facing has a rounded lower corner on the left side and a square corner on the right. The V neck is finished with a white narrow white cotton collar or facing. Centered on the end of the left facing is a long, wide ribbon tie made of the same fabric, with a corresponding tie sewn to the mid-point of the jacket on the right. Thin white inner ties are sewn to the inner right inner facing and the left underarm seam. There is a centre back seam. The long sleeves are set in with a straight seam and a convex curve on the lower edge, narrowing to the wrist. The inner lining is white fabric with a pattern of small squares.

Pink jacket with heart and floral pattern. The centre opening has front panels that overlap to the right when closed. The jacket has a deep V-neck edged with an outer facing. The neck is finished with a narrow facing or collar of white silk. Two long thick ties are attached to the lower left facing and to the right of the facing. Thin white inner ties are sewn to the inner right inner facing and the left underarm seam. The long sleeves are set in with a straight seam and a convex curve on the lower edge, narrowing to the wrist. The inner lining is off-white rayon with a small square pattern.

Skirt made of two unequal panels of off-white and gold brocade with an overall pattern of small flowers. The skirt panels are pleated and inserted into a wide band of unbleached cotton. The upper edge of the band is scalloped with the points of the scallops meeting the ends of two shoulder straps of the same material. The band opens at the front and the top of the front seam has been left open. The skirt is open at the back and the right panel overlaps the left. The inside is unlined.

Jacket, or blouse, made of off-white and gold brocade with an overall pattern of small flowers. Long sleeves that curve upwards at the wrists. The centre opening has front panels that overlap to the right when closed. The right side has a long, wide ribbon tie attached where the outer facing meets the front edge. The left outer facing is flush with the front edge, while the right protrudes beyond the edge. One small white tie is attached to the right inner facing with a corresponding tie on the left underarm seam. The inside lining is white rayon with a small diamond pattern.

Outer skirt made of seven panels of white ramie. The skirt panels are pleated and inserted into a band of unbleached cotton. The the upper edge of the band is scalloped, with the points of the scallops meeting the ends of two shoulder straps of the same material. The band opens at the front and the front seam is left unstitched near the top. One strap is stitched in place with black thread.