Small clay standing figure, flat in profile with arms flaring slightly outward and hanging to knees, legs slightly bent. A stripe of brown paint decorated the leg at the knees and arms just below the shoulder. The feet protruding and are positioned at an angle. The face is long with a large protruding nose, prominent ears with large holes in the lobes and carved and painted mouth and eyes. A tall hat sits atop the head, painted brown. A ring sits at the neck, open to the front. A carved waist cloth covers the groin, and a lightly carved inverted V-shape sits on the stomach. The figure is covered with a light brown slip, with the orange clay showing through in several areas.

Clay mould of a devil face. The piece has large leaf shaped ears high on the head, with two curved horns between and centred on the forehead. A large nose protrudes from the middle of the face, between carved and protruding eyes under pronounced brows. The mouth is open in a grin. The rear of the skull is hollow and has a bar of wood attached to each side above the midpoint with a dark adhesive.

Small clay figure a standing bat creature. The large head has a wide snot, mouth open, and round, slightly protruding eyes. The ears are round and are placed at the top side of the head. Wings are attached to the back of an armless torso. The legs are long and sturdy looking, with feet pointed slightly down. The back of the figure is decorated with horizontal lines running across each wing, and from the ears to the head, and then vertical lines down the body and to the ends of each leg. The left leg, head and right ear have been broken off and reattached with glue.

Small clay standing figure, flat in profile with arms flaring slightly outward and hanging to knees, legs slightly bent. The face is long with a large protruding nose, prominent ears and lightly carved eyes. A tall hat sits atop the head with rings at base and top. A diagonal linear pattern is imprinted into the front and back of the torso. The figure is covered in light brown slip, with the orange colour of the clay showing through in areas. Figure has been broken at the neck and both legs and glued back together.

Clay mould of a skull. The piece has a large rounded forehead, hollows for eyes set close together, a short snub nose, and prominent protruding cheekbones. The mouth is open and shows large square teeth. The rear of the skull is hollow and has a bar of wood attached to each side above the midpoint with a dark adhesive.

Clay mould of a dog’s head. The piece has a rounded forehead with large textured ears at top and to either side. Eyes are incised and nose is narrow and long with a wide, slightly open mouth beneath. The rear of the mold is hollow and has a bar of wood attached to each side above the midpoint with a dark adhesive.

Painting on a handkerchief depicting a romantic dinner. From the top left corner there is a handwritten (largely indecipherable) note in black pencil that crosses the top portion of the image. The background is yellow. On the left edge of the image, near the bottom side there is a pink candle with a pink and yellow flame, resting in an orange saucer on a tabletop outlined in blue. Right of the candle, there is a wine glass with an undulating stem, outlined in blue, with a reflection of a woman’s face in the glass. Her dinner date’s reflection can be seen in a wine glass to the right. He wears a black and white striped shirt with elaborate embroidery around the collar. There is a purple vase on the table top between the wine glasses and there are red roses in the vase. To the right of and behind the wine glass with the man in it there is another pink candle in an orange saucer. Right of the candle there is a large bottle of scotch outlined in blue with a red cap and “J&B" label. In front of the scotch there is a folded white place card with black calligraphy and writing.

Low-fired pottery figure of a woman with orange detailing. The woman’s hair is in two braids which meet at the top of her head. Eyebrows, a nose with nostrils, eyes, lips and ears have been added to her face. There are small lines incised in her eyebrows to represent hairs and there are small lines around her eyes to represent wrinkles or eyelashes. Orange tear drop earrings hang from her ears. She also wears an orange necklace made of six orange dots of clay. In her left arm she carries a pot which is positioned so that the opening faces the front. The pot has an orange rim. There is a basket in her right arm; it has an orange handle made from two pieces of twisted clay. In the middle of her body there is a flower with orange petals. She wears a round skirt to the ground. On the front of the skirt there are two birds in profile facing each other; there is another flower with orange petals in between their bodies. The bird’s feet and feathers are incised in the clay. Directly below the bird’s feet are the woman’s own small feet, which stick out from under her skirt. Around the back of her skirt, there are three more flowers with orange petals. On both sides of each of these flowers, there are two orange leaves or petals. The interior of the woman’s body is hollow.

Painting on a handkerchief of cupid nestled on roses. The perimeter of the image is surrounded by a dark grey border with curlicue yellow and orange banners around the edges. In the lower left and upper right corners, a flower and heart motif is repeated. In the left corner, the heart has purple text that reads “George” and in the right corner, the heart has purple text that reads “Dora.” The background behind the central image is purple. On the left side of the image, there is orange and black text that reads “I love you honey.” In the centre of the image, a thorny green stem curls up from the bottom and splits into several stems near the top of the image. At the bottom of the stem, a yellow banner wraps around the stem and a large red heart on the left side of the stem. Where it crosses the heart, the yellow banner reads “Dora.” Over the top right ventricle of the heart there is a small rose bud. It is surrounded by a few green leaves. Above and to the right of this small bud, there is a larger rose bud. A cherub or cupid sits on one of the petals of the large rose. The cherub has pale pink skin, blonde hair, wings with pale blue feathers and yellow along the top edge and a blue sash wrapped around his body. In his right hand, the cherub holds onto a branch of the rose. At the top of the branch that the cherub holds, there is a rose bud that has not yet opened. Behind the cherub’s head, there is another small rose bud. In the lower right corner of the purple space, there is orange and black text that reads “George.” Part b is the envelope the handkerchief was mailed in, with hand-drawn floral images on the outside.

Tin retablo altar depicting Cristo Negro or Christ of Esquipulas. The case consists of tin and glass. The sides are angled to form a trapezoid at the top and bottom of the object. On the top of the altar, there are decorative pieces of tin with scalloped edges. At the top front, the decorative piece is embossed with a flower, vines and circles. Along the bottom of the object, there are also decorative pieces with straight edges and circular designs on them. The back of the altar is polished on one side to give it a mirror effect; this piece can slide upwards out of the frame to allow access to the back of the retablo (but there is currently a piece of tape attaching it to the altar). The other sides of are glass within the tin frame. The figure inside the altar has black skin and is affixed to a cross. Underneath the man’s hands and feet there are silver tin flowers. Around his head is a tin halo and he wears a small crown as well. His long hair is made of black and white thread hanging down. There is a white cloth low on his waist with gold bands and spots. Attached to his right hip is a white circle with a blue decoration in the centre. There is blood dripping from the man’s forehead, neck, hands, rib and knees. In the background of the altar are tin flowers affixed to a wooden flower. Along the top and sides the flowers are red, pale yellow, silver, light pink and pink. On the centre bottom of the frame, there is a blue flower. There is another blue flower affixed to the base of the cross. There is a hole in the back of the object near the top. Also on the back, a number is written inside of a circle.