Ring-shaped stone club head. Smoothed surface.

Cowrie shell necklace. Thin band of plaited plant fibre with twenty egg cowrie shells and a single large piece of opalescent shell attached by twisted fibre cord.

Cowrie shell necklace. Wide band of plaited plant fibre with twenty-five egg cowrie shells and a single large piece of opalescent shell attached.

Men’s apron ornament. Ornament is made of woven red yarn, with a short waist band and long ties that fasten at back. From waist hang three flaps of approximately 10 cm in length, white cowrie shells attached by plastic thread to the hem. At their bottoms hang long, thick tufts of straight animal hair, ranging in colour from light yellow-brown to dark brown or black.

Neck ornament. Twined plant fibre makes up the thick rope of the necklace, culminating at bottom in a small woven crocodile head with cowrie shells for eyes and an open mouth. Bright pigment colouring in black, red and orange. It is constructed around two curved tusks that emerge from the crocodile's neck and curl down below the mouth.

Mai mask. Carving of a face is oblong and narrow, with a pointed head, a ridge running down forehead, and a prominent nose with a curved nostril free-spanning the lower part of the face. Mask is painted in swirls, short rounded lines, and colour blocks in shades of brown and dark yellow, with white lime pigment in the eye and nose area. Short grass surrounds the jaw as a bushy beard. Shells are inset into mud as eyes and at the top of the head, from which sprout fine cassowary feathers. Plant fibre is looped through the top. Interior of mask is concave.

Dance mask. Large conical head is made of woven rattan and wood covered with a layer of painted mud, grey on back, white and light red-brown on the face. A round flap stands up on top of head and a broad protruding skirt flares out at bottom front. Oval ears sit high on head, protruding from each side. A ridge runs down forehead to nose. Nose is long and thin, spanning from mid-face to front of skirt, with an open mouth underneath. Eyes are made of rings of weaving, protruding, with small bunches of feathers placed evenly around the ring. A thick edging of feathers line the sides and front of the face.

Mai mask. Carving of face is long and narrow, with a pointed head, a ridge running from forehead to nose, and a thick jaw area. A thin piece of shaped wood spans area from chin to bottom of mask. Face is painted in swirl and linear patterns in red, white and black. Jaw is covered in shells inset into mud, with layers of feathers and twisted plant fibre along chin and mask bottom. A collection of twine, feathers and grass is tied through a hole at top, creating a loop for hanging. Interior of mask is concave.

Tumbuan body mask. Tall, conical, mask intended to fit over a dancer’s body is woven of rattan and wood, plastered with mud. Three faces are situated at front, the top being the largest and most prominent. It is oblong, with a pointed head, protruding ears, heavy brow, round shell eyes, and a large protruding flap for a nose. Around the jaw is attached a beard made of a thick layer of short grass. The two faces below are round, with holes for eyes. Ears, noses, beards and brows are similar to the oblong face’s. White feathers are attached to the nose of the bottom. Shells hang from the ears of the top and middle faces. Hand holes are cut into the object near bottom on sides, the left of which is covered with a fringe of long grass. Back is undecorated.

Dress based on the construction techniques of bilum bags. Made of cotton fibre in a stretchy weave. Garment is long and narrow, with no variation in shape other than a slightly narrower top edge. Bottom has a short fringe. Two straps attached to the top edge; two tassels hang from neck at front. Decorative patterning of shaped vertical lines in blue, white, brown and yellow, at both front and back of dress.