A bamboo tube, cut open half of its length, with a loop, collar, and binding of fibre at one end. The other end is undecorated. The wood hook is carved as a curved-billed bird. The whole is pigmented black, though worn off in patches all over bamboo.

A wide flat coiled bark belt with a pattern incised into the outside surface of the outer coil. The inside coil is entirely unadorned. The curvilinear pattern has human faces within the rounded borders of both ends. Lime white accents the pattern. Fibre and string run through a series of holes in one area. The belt ends are tongue-shaped.

Canoe prow with a large animal head with upward-sloping jaws or a beak at the front, an upper figure of a double-headed animal with a forward-facing face reminiscent of the larger animal's head, and a rearward-facing face with down-sloping jaws or a beak. Below this figure is a support with two incised and painted concentric circles. The geometric designs and facial features are emphasized with black, light pinkish-brown, and white pigment.

A horizontal wood element of wood stained dark brown and carved to two pointed ends with a repetitive pattern underneath. Bird-like heads dominate both ends. Legs are of bamboo cut and wrapped around the horizontal, then bound with fibre to form two a-shapes.

Carved wooden basket hook consisting of a female figure with a long oval shaped face and a conical shape headdress that has a bird carved on the tip. The face has incised, tattoo-like detailing on the cheeks, a long nose, inlayed shell eyes and an open mouth exposing the teeth. The arms hang down to the knees which are slightly bent. The body is rounded; the genital area is exposed. The crescent shaped base has a stylized incised band designs that are incorporated into a central face that has inlaid shell eyes. Along the sides of the body is a rounded, triangular repeating design. The reverse is carved and decorated with various stylized designs. The wood is stained black.

Short bamboo section, bound with fibres and with fibre and feather rings at top and bottom. The stop is a kneeling man with a crested bird on his head. Both have cowrie eyes, the bird also has a row of fibre tassels on its back while the man has 1 in his nose. The bird also has a tuft of feathers on its cheek.

Bamboo pole bound with bamboo grass, covered with dark pigment, and divided by three rings of woven bamboo grass and dark feathers. The wooden stop forms a crocodile merging into a crested bird. Both have cowrie eyes; the bird also has a row of fibre tassels hanging from the back and a cheek mound with feathers, shells, and a fibre loop.

Flute formed by a bamboo tube, split its whole length, held together with rings and lashings of bark and with a hole in the side near the stop. The wooden stop has a kneeling woman, with a bird on top of her head, and a human head upside down behind her legs with black cassowary feathers adorning it. Cowrie shells are inlaid into the eyes, the bird's neck, and the human foreheads. There is hair on the human heads and another fringe of cassowary feathers at the open end.

Headdress composed of a piece of tapa cloth with rounded corners and decorated with bands of zigzag in red ochre. Woven and wound string with a linear pattern in light grey Job's Tears seeds and segments of black bamboo. The exposed string is rubbed with red, black and yellow pigment (?).

A bark cloth backed beaded panel. The beads are grey and polished and woven with plant fibre string in rows. There is a cross-pattern of black electrical wire pieces. The edges are dyed red, and the top is alternately dyed red, then has grey beads and yellow dye in vertical rows.