Wood mask depicting a bird woman. Face is heart-shaped with prominent brow and cheeks; sharp nose bridge divides face. Eyes protrude outward at an angle and are made of three tiers. Top of nose bridge is coloured with orange pigment; bottom half is covered in dark clay with small inset cowrie shells along the edges. Larger cowrie shells decorate centre of bridge. Below clay, crooked beak extends downward, covering chin. Same clay and cowrie shell design along bottom edges of mask; top edge is coloured with orange pigment. Mask is surrounded by an oval-shaped frame, wrapped in plant fibre; frame and mask are attached with rounded triangles, made of identical material. Woven into the frame are curved feathers; feathers are a mix of black and shades of brown. Mask back is flat.

Dagger with a bone blade and packed mud face on top; bone is concave on front and convex on back. Face is made with black mud and has large rounded ears, a curved nose and open pouting mouth; mouth is outlined with red pigment(?). Eyes are inset cowrie shells; short, pointed bones stick out of nostrils with an additional curved bone protruding from left side of nose. Face is covered with small inset cowrie shells, with strokes and spots of white pigment throughout. Long cassowary feathers attached to top of head; small amount of grey fibre surrounds mouth.

Narrow, oval-shaped plaque-like mask depicting two faces and bird; made of wood and coloured with orange pigment and dark brown stain. Face on top of mask is small and carved in relief. Face is oval-shaped, has a long thin nose, pronounced pouting lips and wide chin; long ears on either side of head. Depicted wearing a headdress. Beneath, bird is carved on its belly with the beak just below the chin of the face; wings are spread, touching either side of the plaque. Tail extends down between the eyebrows of the large face on the base of the mask. Face is thin and tapers to a rounded chin; face not carved in relief, only facial features. It has wide eyes, a long thin nose with large nostrils and bared teeth. Long thin ears on either side of head. All figures have cowrie shell eyes. Negative space between the figures and sides of the mask are filled with circular and geometric motifs. Sides of mask have a channel carved into them, with ovals carved in relief throughout. Plant fibre looped tie at top, on back of mask; mask back is concave.

Mai mask consisting of a long and narrow face. Mask is made of wood and is covered in small white shells inset in dark brown-black mud. Area around eyes and nose is plain wood and coloured dark orange. Eyes are made of inset cowrie shells, highlighted with black paint. Sharp nose bridge runs through centre of face. Nose has orange nostrils with black highlights, before extending into a snake that protrudes past the chin; raised design elements on snake's face. Round shells, with swirls in their centres, inset in the centre of the forehead and below the nose, on either side. Plant fibre cord runs around bottom edge of mask, with twisted fibre strands attached, imitating a beard. Additional fuzzy fibre on top of head, imitating hair; inset cowrie shells border bottom of hair. Top half of mask back is concave; bottom half is flat. (Hanging hardware on back.)

Woven breast ornament shaped like an inverted triangle with a naturally coloured, braided cord extending from the top; rest of ornament is coloured with orange pigment. Eight boar tusks extend from either side of the ornament; first two are pointed up, rest are pointed down. Additional boar tusks are threaded through a loop in the front centre of the ornament, pointed down. Woven protrusions extend from either side of the ornament, below the fit set of tusks; protrusions are thin rectangles with rounded ends. An open oval-shaped protrusion is woven underneath the central boar tusks. Above the central boar tusks are two cowrie shells, attached horizontally; a line of vertical cowrie shells extends from below the woven oval to the bottom of the ornament. Loop attached to bottom edge; back is undecorated.

Adze with a wedge-shaped blade made of smooth, grey stone. Blade is inserted into a thin piece of wood. Plain border carved in high relief where blade is inserted. Wood piece is attached to a carved, wooden hafting platform. End of platform comes to sharp point, that curves upward slightly. All pieces- blade, wood piece, and platform- are lashed together with wide, braided bands made of plant fibre. Adze haft extends from the bottom centre of the platform. It is cylindrical, long and slightly curved.

Hourglass-shaped, wooden drum; both ends are round and open. One half of the drum is undecorated. The other half is covered entirely in horizontal bands, with designs carved in low relief. Top band has a plain white line through the centre, trimmed with orange on either side. Second band has an orange zigzag in the middle. The negative space is painted orange and white, creating a triangular motif. Third band is made up of a line of chevrons, alternating in orange and white. The fourth band is the widest, with large repeating diamonds with stylized orange crosses in the centres. All diamond exteriors have orange borders, some have white interior borders and some crosses are trimmed with white. Negative space along top of band is painted white and negative space along bottom is painted orange, creating a triangular motif. Bottom band is identical to second, but thinner. Interior of one opening has vertical beige lines, painted at intervals along the edge.

Feather headdress(?) composed of a small conical woven base with hole at centre, and feathers tightly woven in creating a ring. The downy feathers are attached closest to the base. A thin twisted fibre cord is woven to the rim with a length of cord left unwoven.

Clay is molded over the skull to form facial features with cowrie shells used for the eyes. Decorated with dark brown-black curled human hair. Mostly red with some black paint used to accentuate and to decorate the facial features with circular lines, curvi-linear lines, and large dots. Twisted corded fibre is attached through and around the ears.

Shield made from one piece of wood with a slightly raised carved geometric pattern in bands of zig-zags and arc shapes, both formed by squares. The piece of wood is curved overall and a bark fibre handle on the reverse is attached through two holes at the sides of the shield with knots in the front. The shield is stained black on the front.