Carved wood female fertility figure with an elaborately painted face. Figure is wearing a long grass skirt and has a heart-shaped face with protruding ears, a large nose, and open smiling mouth; the eyes are inset cowrie shells. Face is painted white with semi-circles, floral and curvilinear designs, and comma-shapes throughout, done in red; eyes and nostrils are bordered with small white triangles. Ears have two grass ties knotted through each; similar grass tie knotted through figure's nostrils. Carved with large breasts, flat buttocks and pronounced shoulder blades; genitals carved in relief and highlighted with red pigment. Her arms and legs spread straight out from her body; grass ties around wrists and ankles. Each limb has two decorative bands carved into them; bands consist of two ovals bordered by wide bands; done in brown, red, and white. Small hole drilled into back centre of head.

Circlular basket with flat base, and separate lid (part b). Basket body made up of coil construction, bound together with plant fibre stitching. Design formed with stitching is rows of alternating dark brown-black and yellow-white triangles. Arched handle extends overtop small circular basket opening; attached to flexible stick(?) that's woven to basket body. Handle is made up of four braided bands of plant fibre that split towards ends, creating "V"-shaped cutouts on either side of basket. Base decorated with concentric circles; done in dark brown-black, and brown-red. Lid has a small lip, deep flange, and wide circular knob. Main lid body made up of similar coil construction; flange consists of flat piece of plant fibre wrapped in smaller pieces. Lid has concentric circle design in dark brown-black, yellow-white, and brown-red.

Concave comb with eleven long teeth extending from an elongated, trapezoid-shaped handle. Three decorative triangular cutouts in middle of handle; alternating up or down triangles in a row. Exterior of handle is dark brown; interior of handle and teeth are yellow-brown. The exterior, smooth surface of the bamboo has been carved off the outside of the teeth.

Small clay pot with a flared neck and wide shoulder which tapers in to a raised circular foot. Incised designs around the neck of repeating dots, and on sides - a column of repeating turned v's bordered with three solid lines and one dashed line on either side. This is repeated three times, with incised information between each design - 'Papua New Guinea', 'Bilbil Village', and 'Madang Province'.

Red clay pot with burn marks throughout. Pot has a flared neck and wide, steep shoulder, that tapers to a rounded base with three stout legs. Pot has two beak-spouts on either side of circular opening; spouts and neck have ridged sides. Dots and lines border bottom edges of openings; dots done in relief, lines are incised. Edge of shoulder is decorated with two rows of imprinted dots. Columns of chevrons are incised on main body of pot, and on shoulder; columns point towards one another. The place made information isincised into side of pot: 'Papua New Guinea', 'Bilbil Village', and 'Madang Province'.

Dagger with a bone blade and packed mud face on top; bone is concave on front and convex on back. Face is made with black mud and has large rounded ears, a curved nose and open pouting mouth; mouth is outlined with red pigment(?). Eyes are inset cowrie shells; short, pointed bones stick out of nostrils with an additional curved bone protruding from left side of nose. Face is covered with small inset cowrie shells, with strokes and spots of white pigment throughout. Long cassowary feathers attached to top of head; small amount of grey fibre surrounds mouth.

Carved and painted wood mask. The mask is a long oval that comes to points at the top and bottom of the face. The nose tapers to a pointed tip. The eyes are two inlaid cowrie shells within a painted black area. At the top centre of the head is a hole with a short length of braided plant fibre tied looped through.

Carved and painted wood mask. The mask is long and thin, with a long nose that curves and connects with the mouth area. The eyes are inlaid cowrie shells within a painted black area. The jaw and mouth area are also inlaid with two rows of cowrie shells - small shells around the interior, and larger shells around the outer edge. The jaw is lined with dark brown plant fibre beard on a braided cord. At the top centre of the head is a hole with a short length of braided plant fibre tied looped through.

Wooden, oval-shaped plaque-like mask. Square hole carved at the bottom and wing-like attachments are on either side, tied to the main body with roots(?). Attachments painted black, on both sides, with crosshatching designs overtop. Primarily done in white with red strokes throughout. Main body painted red-orange, on both sides, with rows of design overtop. Rows have large white “X”’s with thin black ovals in between. Centres of X’s are painted red-orange. Plain black bands between rows, trimmed in white. On the front, the centre oval in the top row has a white chevron border. Above the oval is a sculpted head. Cheeks of face are unpainted, the nose is red, and there is a large black beard covering the bottom portion of the face. It has one thick black eyebrow with two small white eyes underneath. Figure is wearing a headdress(?). Headdress has a red cap with an upside down white triangle in its centre. Headdress extends into a large black circle with white stripes. Area around square hole, on both sides, is unpainted.

Small oval wood bowl. Each end of the bowl tapers in with a matching crocodile(?) head, each holding something in its open mouth. The exterior of the bowl is incised with gemoetric designs and humanoid figures, one at each end, which merge together with the crocodiles. Each figure has a long rectangular protruding nose. A red-brown circle flanked by two red-brown ovals extend across the centre.