Wooden dish with a carved beaver’s head at each end of oval shaped dish. The rim of the dish meets the side of the beaver’s mouths appearing as if they are chewing the wood. Positioned behind the each head is an oval shaped disc, carved in relief, representing the tail of the beaver.

Wooden figure made out of an old box consisting of a duntsik or power board used in winter dances. The design is cutout with Northwest Coast stylized forms and outlined in black paint. The image represented is a sisiutl with its curled horns protruding from the top; a human figure in the middle and a bird ? at the bottom. The board used to be in one piece but was cut and is currently in five bound together with sections of post and hole along with metal wiring.

Wooden figure of a duntsik or power board used in winter dances. The design is cutout with Northwest Coast stylized forms and outlined in black and white paint. The image represented is a sisiutl with its curled horns protruding from the top. The board has numerous rectangular pieces silver coloured foil adhered to the surface.

Carved, wooden raven headdress, or mask. Long beak and oval shaped, cutout nostrils. The beak is hinged with pieces of leather on either side, nailed to the jaw. The beak and nostrils are painted black with red edging. There is a red stylized split U-form around the nostrils. The eyes are white, outlined in black on a white, ovoid shaped background; brow is black. Attached to the top of the head are short strips of cedar bark creating a fringe. Attached with twine to the top, back and bottom rim are small bunches of cedar. The inside of the mask is hollow with the exception of an attached twine cord that assistants the beak in opening and shutting. The mask is painted black, red and white with Northwest Coast stylized designs.

Carved, wooden, baby raven ? mask with a short beak and s-shaped cutout nostrils. The beak is hinged with pieces of leather on either side, nailed to the jaw. The beak and nostrils are painted black with red edging. The eyes are red, outlined in black on a green, ovoid shaped background; brow is black. There is a crescent shaped cut out of the bottom of the beak. Attached with staples to the top, back and bottom rim is a blue cloth hangs down to cover the body of the wearer. The inside of the mask is hollow with the exception of an attached twine cord that assistants the beak in opening and shutting. The mask is painted black, red and green with Northwest Coast stylized designs.

Carved, wooden, supernatural bird mask with a long beak and ovoid shaped nostrils with U-form cutouts. The beak is hinged with pieces of rubber on either side, nailed to the jaw. The beak and nostrils are painted black with red edging. There is a red stylized design around the nostril, three white curved markings behind the mouth and a white stylized design on the bottom of the beak. The eyes are white, outlined in black on a white, ovoid shaped background; brow is black and there are two black split U’s along the back rim. Attached to the top of the head are strips of cedar bark that are short at the front and hang long at the back. Attached with twine to the top, back and bottom rim is a braid of cedar. Strips of cedar line the bottom rim and dangle down to cover the body of the wearer. The inside of the mask is hollow with the exception of an attached twine cord that assistants the beak in opening and shutting; cord is tied around a cylindrical shaped, wooden handle. The mask is painted black, red and white with Northwest Coast stylized designs.

Carved bird mask with a long beak and circular, cutout nostrils. The beak is hinged with pieces of rubber on either side, nailed to the jaw. The beak and nostrils are painted black with red edging. There are five orange U-forms and four red U-forms carved at the back of the beak running towards the nostril. The eyes are white, outlined in black on a white, ovoid shaped background; brow is black. Attached to the top of the head are five rounded edged, rectangular cutouts with red U-forms painted on a white background. Behind the cutouts is a fringe of cedar bark; tied bunches of cedar bark are adhered to the back and side rim with twine. Strips of cedar line the bottom rim and dangle down to cover the body of the wearer. The bottom of the beak has a white U-form painted on it. The inside of the mask is hollow with the exception of an attached twine cord that assistants the beak in opening and shutting. The mask is painted black, red, white and orange.

Wooden, carved bear mask with a long snout painted black and red circular cutout nostrils. The jaw is hinged with a piece of leather nailed, on either side, to the lower mouth. The face is black with white edging; black outlined eyes on a green, ovoid shaped background; brow is black. There are two holes on the top where the ears used to be. The inside of the mask is hollow with the exception of a twine cord that attaches to the mouth and a rubber lining. Baleen framework at back of mask to facilitate wearing. The mask is painted black, green, red and white with Northwest Coast stylized designs.

Carved, wooden speaker's staff, or talking stick, with six figures in colours of black, red, green and brown. Abalone shell pieces are inlaid on all of the figures. Top figure is a supernatural eagle, or Kolus, in human-like form, with a crooked beak and a labret. Below that is a human wearing a three-ringed hat. His body morphs into a whale, whose mouth touches the back fins of a sea lion. The bottom bear figure is mounted on top of a short, cylindrical base.

Small wooden canoe with two figures (part a). The canoe is black, yellow and green. The figures are seated with raised arms. A string is tied around the wrist of the front figure, leading to a barbed harpoon inserted into a whale (part b). The whale is black with red and green designs. Two small woven hats (part c-d) for the figures.